Analyzing totalitarianism in a crucial area of Soviet culture, Hugh Hudson shows how Stalinist forces within the architectural community destroyed an avant-garde movement of urban planners and architects, who attempted to create a more humane environment for the Soviet people. Through a study of the ideas and constructions of these visionary reformers, Hudson explores their efforts to build new forms of housing and "settlements" designed to free the residents, especially women, from drudgery. Using formerly secret Party archives made available by perestroika, Hudson finds in the rediscovered work of the avant-garde architects a new understanding of their aims. He shows, for instance, how they saw the necessity of bringing elite desires for a transformed world into harmony with the people's wish to preserve national culture.
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Analyzing "totalitarianism from below" in a crucial area of Soviet culture, Hugh Hudson shows how Stalinist forces within the architectural community destroyed an avant-garde movement of urban planners and architects, who attempted to create a more humane built environment for the Soviet people. Through a study of the ideas and constructions of these visionary reformers, Hudson explores their efforts to build new forms of housing and "settlements" designed to free the residents, especially women, from drudgery, allowing them to participate in creative work and to enjoy the "songs of larks". Resolving to obliterate this movement of human liberation, Stalinists in the field of architecture unleashed a "little" terror from below, prior to Stalin's Great Terror. Using formerly secret Party archives made available by perestroika, Hudson finds in the rediscovered theoretical work of the avant-garde architects a new understanding of their aims. He shows, for instance, how they saw the necessity of bringing elite desires for a transformed world into harmony with the people's wish to preserve national culture. Such goals brought their often divided movement into conflict with the Stalinists, especially on the subject of collectivization. Hudson's provocative work offers evidence that in spite of the ultimate success of the Stalinists, the Bolshevik Revolution was not monolithic: at one time it offered real architectural and human alternatives to the Terror. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of
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Vendeur : Second Story Books, ABAA, Rockville, MD, Etats-Unis
Hardcover. Octavo, xviii, 260 pages. In Very Good condition with a Very Good minus dust jacket. Spine is pink and blue with white print. Dust jacket has slight tear to rear flap fold. Boards in blue cloth. Illustrated: b&w plates (photographs). NOTE: Shelved in Netdesk Column W. 1405316. FP New Rockville Stock. N° de réf. du vendeur 1405316
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Vendeur : Phatpocket Limited, Waltham Abbey, HERTS, Royaume-Uni
Etat : Acceptable. Used - Acceptable. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. N° de réf. du vendeur Z1-K-005-02398
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Hard cover. Etat : Very good. Etat de la jaquette : Very good. Excellent condition, clean and unmarked. N° de réf. du vendeur 1133401
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Vendeur : Pórtico [Portico], ZARAGOZA, Z, Espagne
Encuadernación de tapa blanda. Etat : Nuevo. 1ª Edición. HUDSON, H. D., JR.: BLUEPRINTS AND BLOOD. THE STALINIZATION OF SOVIET ARCHITECTURE. 1917-1937. PRINCETON, NJ, 1994, xviii 260 p. figuras, 590 gr. Encuadernacion original. Nuevo. (TB-8-2) 590 gr. Libro. N° de réf. du vendeur 27790
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