This is a detailed study of Byzantine ivory carving during an era when work in that medium reached its highest level of attainment. Unique in its aim and range, the volume considers how, when and why the Byzantines used ivory for icons and other luxurious items. Based on direct study of the objects, the book discusses more than 150 pieces and is illustrated with new photographs that provide an understanding of carving techniques and styles. The author analyzes the normal working methods of Byzantine carvers, as well as aspects of craftsmanship that enable the identification of specific sculptors. These observations are then made the basis of both a revised chronology and a more rigorous system of classification than has existed heretofore. Similarities and differences within this body of production allow answers to such broader questions as the functions of craftsmen in this society, their relations with clients and designers, and, ultimately, the significance of ivory in the visual culture of Byzantium.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Anthony Cutler, Research Professor of Art History at the Pennsylvania State University, is the author of The Aristocratic Psalters in Byzantium (Picard) and The Craft of Ivory (Dumbarton Oaks).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Zubal-Books, Since 1961, Cleveland, OH, Etats-Unis
Etat : Fine. 320 pp., hardcover, fine in a fine dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. N° de réf. du vendeur ZB1346877
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Vendeur : Ancient World Books, Toronto, ON, Canada
Hardcover. Etat : Very Good+. Etat de la jaquette : No Dust Jacket. Very light shelfwear else fine.; 8.25 X 1 X 10.5 inches; 320 pages. N° de réf. du vendeur 41991
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Vendeur : Michener & Rutledge Booksellers, Inc., Baldwin City, KS, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Text clean and solid; 8vo 8" - 9" tall; 320 pages. N° de réf. du vendeur 230448
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Vendeur : Avol's Books LLC, Madison, WI, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Very Good. Fine except for a short tear and crease in the bottom right edge of the front of the dust jacket. N° de réf. du vendeur 223116
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Etat : VG. Cream canvas, olive & sage & illus. dust jacket, 293 pp., 247 BW illus., 8 color plates. "The first detailed study in fifty years of Byzantine ivory carving in the tenth and eleventh centuries, the era when workd in that medium reached its highest level of attainment. Unique in its aim and range, [this book] considers how, when, and why the Byzantines used ivory for icons and other luxurious items. Based on direct study of the objects, the book discusses more than 150 pieces and is illustrated with new photographs that are indispensable to an understanding of carving techniques and styles." (dj). N° de réf. du vendeur 152762
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Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Hardcover. Etat : Used - Very Good. This book is the first detailed study in fifty years of Byzantine ivory carving in the tenth and eleventh centuries, the era when work in that medium reached its highest level of attainment. Unique in its aim and range, The Hand of the Master considers how, when, and why the Byzantines used ivory for icons and other luxurious items. Based on direct study of the objects, the book discusses more than 150 pieces and is illustrated with new photographs that are indispensable to an understanding of carving techniques and styles. Cutler analyzes the normal working methods of Byzantine carvers, as well as aspects of craftsmanship that enable us to identify distinct hands. These observations are then made the basis of both a revised chronology and a more rigorous system of classification than has existed heretofore. But the recognition of particular sculptors is a means rather than an end in this book. Similarities and differences within this huge body of production allow answers to such broader questions as the functions of craftsmen in this society, their relations with clients and designers, and, ultimately, the significance of ivory in the visual culture of Byzantium. Very nice clean, tight copy free of any marks. Wrapped in complimentary Brodart dust jacket protector. N° de réf. du vendeur 181407
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Vendeur : Frank Martignon Bookseller, Atlanta, GA, GA, Etats-Unis
Hardcover. Etat : New. Etat de la jaquette : Fine. 1st Edition. First detailed study in fifty yrs. of Byzantium ivory carving in the tenth and eleventh centuries, when work in that medium reached its highest attainment. Discusses more than 150 pieces, based on direct study. Illustrated with new photographs. 247 illustrations, eight color plates. Cited Works. Notes. Glossary. Sources of ills. Index. xv, 293 pp. Fine Hardcover w/ Fine dj Size: Sm. 4to. N° de réf. du vendeur 828
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Vendeur : Luigi De Bei, PREGANZIOL, TV, Italie
Cloth. Etat : As New. Etat de la jaquette : As New. Descrizione: First detailed study in fifty yrs. of Byzantium ivory carving in the tenth and eleventh centuries, when work in that medium reached its highest attaintment. Discusses more than 150 pieces, based on direct study. Illustrated with new photographs. 247 illustrations, eight color plates. Cited Works. Notes. Glossary. Sources of ills. Index. xv, 293pp. Fine/Fine. Codice inventario libreria 004601 The Hand of the Master: Craftsmanship, Ivory, and Society in Byzantium 9780691033662 by Anthony Cutler ISBN 10: 0691033668 / 0-691-03366-8 ISBN 13: 9780691033662 Casa editrice: Princeton Univ Pr Data di pubblicazione: 1994 Legatura: Rilegato Sinopsi: This book is the first detailed study in fifty years of Byzantine ivory carving in the tenth and eleventh centuries, the era when work in that medium reached its highest level of attainment. Unique in its aim and range, The Hand of the Master considers how, when, and why the Byzantines used ivory for icons and other luxurious items. Based on direct study of the objects, the book discusses more than 150 pieces and is illustrated with new photographs that are indispensable to an understanding of carving techniques and styles. Cutler analyzes the normal working methods of Byzantine carvers, as well as aspects of craftsmanship that enable us to identify distinct hands. These observations are then made the basis of both a revised chronology and a more rigorous system of classification than has existed heretofore. But the recognition of particular sculptors is a means rather than an end in this book. Similarities and differences within this huge body of production allow answers to such broader questions as the functions of craftsmen in this society, their relations with clients and designers, and, ultimately, the significance of ivory in the visual culture of Byzantium. This book is the first detailed study in fifty years of Byzantine ivory carving in the tenth and eleventh centuries, the era when work in that medium reached its highest level of attainment. Unique in its aim and range, The Hand of the Master considers how, when, and why the Byzantines used ivory for icons and other luxurious items. Based on direct study of the objects, the book discusses more than 150 pieces and is illustrated with new photographs that are indispensable to an understanding of carving techniques and styles. Cutler analyzes the normal working methods of Byzantine carvers, as well as aspects of craftsmanship that enable us to identify distinct hands. These observations are then made the basis of both a revised chronology and a more rigorous system of classification than has existed heretofore. But the recognition of particular sculptors is a means rather than an end in this book. Similarities and differences within this huge body of production allow answers to such broader questions as the functions of craftsmen in this society, their relations with clients and designers, and, ultimately, the significance of ivory in the visual culture of Byzantium.- Language : english text. N° de réf. du vendeur 004601
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Vendeur : Expatriate Bookshop of Denmark, Svendborg, Danemark
orig. cloth. 26x20cm, xv,293,(8) pp, Name inked on flyleaf. Weighs 1.2 kilos. Contents: The Power of Ivory -- The Modern Response -- The Byzantine Response -- Varieties of Experience -- Conditions of Production -- The Quantity and Quality of Ivory -- "Colonial" Tusks and Domestic Bone -- The Question of Workshops -- Stages of Production -- Cutting the Panel -- An Excursus on Tools -- From Panel to Plaque -- Carving the Figures -- Detailing -- Finishing and Assembling -- The Master in Context -- Craftsman, Designer, Client -- Artistic Identity in Byzantium -- Signs of the Master -- The Guidance of the Hodegetria -- Problems of Classification and Chronology -- "Groups" and Individuals -- Toward a History: Datable Works and Minimal Clusters -- The Implications of Contemporaneity -- Ivory in Byzantium Society -- Users and Uses -- The Culture of the Clientele. [" This book is the first detailed study in fifty years of Byzantine ivory carving in the tenth and eleventh centuries, the era when work in that medium reached its highest level of attainment. Unique in its aim and range, The Hand of the Master considers how, when, and why the Byzantines used ivory for icons and other luxurious items. Based on direct study of the objects, the book discusses more than 150 pieces and is illustrated with new photographs that are indispensable to an understanding of carving techniques and styles. Cutler analyzes the normal working methods of Byzantine carvers, as well as aspects of craftsmanship that enable us to identify distinct hands.,.," - publisher's description]. Light binding corner bumps. Some rubbing to dustwrapper. VG., dustwrapper. N° de réf. du vendeur 029557
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