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Synopsis
This classic in film theory, presents a systematic study of the techniques of the film medium and of their potential uses for creating formal structures in individual films such as Dovzhenko's Earth, Antonioni's La Notte, Bresson's Au Hasard Balthazar, Renoir's Nana, and Godard's Pierrot le Fou.
Originally published in 1981.
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Theory of Film Practice (Princeton Legacy Library)
Edité par
Princeton University Press, 1981
ISBN 10 : 0691039623
ISBN 13 : 9780691039626
Ancien ou d'occasion
Couverture rigide
Vendeur : Broad Street Books, Branchville, NJ, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
hardcover. Etat : As New. Dark blue cloth boards with gilt lettering on spine, no dust jacket as issued. Book is in excellent condition, text is unmarked and pages are tight. N° de réf. du vendeur 66296
Quantité disponible : 1 disponible(s)
Image d'archives
Theory of Film Practice (Princeton Legacy Library)
Edité par
Princeton University Press, 1981
ISBN 10 : 0691039623
ISBN 13 : 9780691039626
Ancien ou d'occasion
Couverture rigide
Vendeur : dsmbooks, Liverpool, Royaume-Uni
Évaluation du vendeur 4 sur 5 étoiles
Hardcover. Etat : Good. Good. book. N° de réf. du vendeur D7S9-1-M-0691039623-4
Quantité disponible : 1 disponible(s)