In this volume, the author, who has written on topics as different as Shakespeare, dogs, cross-dressing, and real estate, explores the pleasures and pitfalls of the academic life. This work discusses three of the perennial issues that have surfaced in recent debates about the humanities: the relation between "amateurs" and "professionals", the relation between one academic discipline and another, and the relation between "jargon" and "plain language". Rather than merely taking sides, the book explores the ways in which such debates are essential to intellectual life. The author argues that the very things deplored or defended in discussions of the humanities cannot be either eliminated or endorsed because th discussion itself is what gives humanistic thought its vitality. Written in spirited and vivid prose, and full of telling detail drawn both from the history of scholarship and from the daily press, this book by a well-known Shakespeare scholar and prize-winning teacher who offers analysis rather then polemic to explain why today teachers and scholars are at once breaking new ground and treading familiar paths. It opens the door to an important nation-wide and worldwide conversation about the reorganisation of knowledge and the categories in and through which we teach the humanities. And it does so in a spirit both generous and optimistic about the present and the future disciplines.
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Marjorie Garber is William R. Kenan, Jr. Professor of English at Harvard University and Director of Harvard's Humanities Center in the Faculty of Arts and Sciences. The author of ten books, most recently Quotation Marks and The Medusa Reader, she is also the editor of many collections of essays and a regular contributor to the New York Times, the Atlantic Monthly, and other publications.
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