Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this richly detailed book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth-century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph was striving for a German national theater. Hunter attributes opera buffa's success to its ability to provide "sheer" pleasure and hence explores how the genre functioned as entertainment. She argues that opera buffa, like mainstream film today, projects a social world both recognizable and distinct from reality. It raises important issues while containing them in the "merely entertaining" frame of the occasion, as well as presenting them as a series of easily identifiable dramatic and musical conventions.
Exploring nearly eighty comic operas, Hunter shows how the arias and ensembles convey a multifaceted picture of the repertory's social values and habits. In a concluding chapter, she discusses Cos" fan tutte as a work profoundly concerned with the conventions of its repertory and with the larger idea of convention itself and reveals the ways Mozart and da Ponte pointedly converse with their immediate contemporaries.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Mary Hunter is Professor of Music at Bowdoin College. She is the editor, with James Webster, of Opera Buffa in Mozart's Vienna.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0691058121I4N00
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Offers a view of opera buffa in the theatrical world of late-eighteenth-century Vienna. This book attributes opera buffa's success to its ability to provide 'sheer' pleasure and hence explores how the genre functioned as entertainment. It shows how the arias and ensembles convey a multifaceted picture of the repertory's social values and habits. Series: Princeton Studies in Opera. Num Pages: 312 pages, 54 music examples. BIC Classification: 1DFA; 2ADT; AVGC4; AVGC9; JFC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 152 x 20. Weight in Grams: 657. . 1999. Hardcover. . . . . N° de réf. du vendeur V9780691058122
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Vendeur : MW Books, New York, NY, Etats-Unis
First Edition. Near fine cloth copy in a good if somewhat dust-dulled dust-wrapper. Remains well-preserved overall. Series; Princeton studies in opera. Physical description; (xiii, 331 pages) : music. Subjects; Mozart, Wolfgang Amadeus 1756-1791. Operas. Opera Austria Vienna 18th century. Opera buffa. Hunter, Mary Kathleen 1951-. 1 Kg. N° de réf. du vendeur 470808
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hardcover. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-0691058121
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Vendeur : MW Books Ltd., Galway, Irlande
First Edition. Near fine cloth copy in a good if somewhat dust-dulled dust-wrapper. Remains well-preserved overall. Series; Princeton studies in opera. Physical description; (xiii, 331 pages) : music. Subjects; Mozart, Wolfgang Amadeus 1756-1791. Operas. Opera Austria Vienna 18th century. Opera buffa. Hunter, Mary Kathleen 1951-. 1 Kg. N° de réf. du vendeur 470808
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