In the decade preceding his untimely death, Frederic Remington (1861-1909) produced a series of paintings that took as their subject the color of night. This richly illustrated volume is the first to present all of these works - some seventy paintings that secured for Remington the critical acclaim he so coveted. Indeed, these magnificent nocturnes marked an important new direction for the celebrated illustrator, writer, and sculptor of America's vanishing frontier. In these deeply personal works, Remington explored the technical and aesthetic difficulties of painting darkness. Surprisingly, his images are filled with color and light--moonlight, firelight, candlelight. Focused on the subject the artist had made his own - the American West - these paintings reflect Remington's dramatic reworking of the narrative tradition as well as the spare modernism of his late work. "Frederic Remington: The Color of Night", accompanying the first exhibition devoted to the nocturnes, includes three insightful essays discussing Remington's nocturnes within the literary, historical, aesthetic, and technological context of his time. The nocturnes do much more than document a night that was rapidly disappearing under bright, newly installed electric lights. They also reveal how this son of a Civil War hero moved from burnishing Theodore Roosevelt's rough riding heroics in Cuba to exploring, like Stephen Crane and Ernest Hemingway, his own soul-searing war experience, and, like Joseph Conrad, to probing America's own heart of darkness. As the definitive resource on Remington's nocturnes, this volume pairs large reproductions of these stunning paintings - including newly conserved works and others not seen publicly since the artist's death - with commentary from his personal diaries and letters and from contemporary critics.
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Nancy Anderson is Associate Curator of American and British Painting at the National Gallery of Art, where she has recently served as curator and principal catalogue author for the retrospective "Thomas Moran". Alexander Nemerov, professor of art history at Yale University, is the author of "Frederic Remington and Turn-of-the-Century America". William C. Sharpe is professor of English at Barnard College and the author of "Unreal Cities".
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : clickgoodwillbooks, Indianapolis, IN, Etats-Unis
Etat : acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media. N° de réf. du vendeur CSIV.0691115540.A
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Vendeur : Edward Ripp: Bookseller, Albuquerque, NM, Etats-Unis
Hardcover. Etat : Very Good +. 4to, 228 pp, VG+ in gilt-stamped cloth in mildly shelfworn pictorial dust jacket. 136 full-page color plates + 24 b&w text illustrations. Wonderful exhibition catalog of Remington's night paintings. N° de réf. du vendeur 12396
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Vendeur : BookScene, Hull, MA, Etats-Unis
Paperback. Etat : Good+. First Edition. 1st Printing. Paperback. Book Condition: Good+. Princeton University Press, Princeton, NJ 2003. First Edition. 1st Printing. 208 pages. Moderate general wear. Size: L 4to. Art::Painting by Artist Art::Collections/Exhibitions 5921L. N° de réf. du vendeur 139946
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Vendeur : Marc Sena Carrel, Pacifica, CA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. Remington, Frederic (illustrateur). 1st Edition. Printed in Great Britain. Published by the National Gallery of Art in association with the Princeton University Press. Approx. 11.5 x 10 inches. Black cloth hardboards, with crisp gilt-stamped titling to the spine. Unbumped spine head and tail, and sharp corners. Exceptionally clean binding. Text block firmly bound. With 228 numbered pages on coated stock. Extensive text section, including Notes on Conservation. Featuring numerous full-color plates, some full-page, as well as duotone plates throughout. Full-color, full-pictorial dust jacket, fully intact. Almost certainly unread. A Fine copy in a Fine DJ. 3 lbs. 7 oz. Published for a traveling exhibition in Washington D.C., Tulsa and Denver, 2003-2004. In the decade preceding his death, Frederic Remington [1861-1909] produced a series of paintings that took as their subject the color of night. There were about seventy such paintings, and they secured for Remington the critical acclaim he so coveted. N° de réf. du vendeur 008809
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Vendeur : Manchester By The Book, Manchester-By-the-Sea, MA, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. No markings. Oversize. Published in conjunction with an exhibition. N° de réf. du vendeur 5300002
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Hardcover. Etat : New. N° de réf. du vendeur BK9791
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Black cloth, gilt letters on spine, with black and color illustrated dust jacket. ix, 228 pp. Profusely illustrated in color. "In the decade preceding his death, Frederic Remington (1861-1909) produced a series of paintings that took as their subject the color of night. This richly illustrated volume is the first to present all of these works -- some seventy paintings that secured for Remington the critical acclaim he so coveted. Indeed, these magnificent noctures marked an important new direction for the celebrated illustrator, wrtier, and sculptor of America's vanishing frontier." (dj) Includes extensive essays, copious notes and an appendix on the conservation practices used on these works, making this a really well-rounded book, and a splendid examination of this specialty of Remington's oeuvre. VG/VG: Exlibrary book. Sticker on dust jacket at the base of the spine. Stamp on half-title page. Stamp on back free end page. Sticker and due date card on back pasted end page. Small red ink stain on last page. N° de réf. du vendeur 100797
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