Chuck Close - a man who describes himself as "an artist looking for trouble" - has for three decades consistently but variously challenged the accepted boundaries of the printmaking tradition. Published to accompany a retrospective of his prints opening at Blaffer Gallery and traveling to the Metropolitan Museum of Art and several additional museums around the country, this is the first comprehensive survey of Close's revolutionary prints. Featuring exquisite reproductions of the prints together with essays on Close's career and in-depth interviews with the artist and his master printmakers, the volume blends words and images to give readers unique insight into the creative process.The text highlights the intensely collaborative nature of Close's project and looks into the challenges posed by the unprecedented huge scale he prefers. Close may labor on a single print for as long as two years, working out aesthetic problems that might involve the retrieval of a centuries-old European method on one day and the creation of an entirely new technique (such as applying sunscreen to block light) the next.'Prints have moved me in my unique work more than anything else has,' Close says. 'Prints change the way I think about things'. From the artist's ambitious first mezzotint to his recent pulp-paper multiples, this book chronicles the genius of Chuck Close in the medium in which he has done his most exciting work. Taken together, these prints constitute a remarkable self-portrait of the creative drive, vision, and intellect of one of America's most important living artists.Exhibition schedule include: Blaffer Gallery, the Art Museum of the University of Houston September 13-November 23, 2003; The Metropolitan Museum of Art, New York January 13-April 18, 2004; Miami Art Museum, Florida May 14-August 22, 2004; Knoxville Museum of Art, Tennessee October 29, 2004-March 27, 2005; Mint Museum of Art, Charlotte, North Carolina April 16-August 7, 2005; Addison Gallery of American Art, Andover, Massachusetts September 6-December 4, 2005; Modern Art Museum of Fort Worth, Texas April 16-June 28, 2006; Madison Museum of Contemporary Art in Madison, Wisconsin July 29 - October 6, 2006; Orange County Museum of Art, Newport Beach, CA January 28-April 20, 2007; Boise Art Museum, Idaho May 12-August 11, 2007; and, Portland Art Museum, Oregon September-December 2007.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Terrie Sultan is Director and Chief Curator of Blaffer Gallery, the Art Museum of the University of Houston. Her publications include "Seeing and Believing: The Art of Nancy Burson, Kerry James Marshall," and "Ida Applebroog: Nothing Personal". Richard Shiff is Effie Marie Cain Regents Chair in Art at the University of Texas. The author of "Cezanne and the End of Impressionism", he is coauthor of "Willem de Kooning: Tracing the Figure" (Princeton) and the editor of several other books.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Wonder Book, Frederick, MD, Etats-Unis
Etat : Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. N° de réf. du vendeur L04E-01770
Quantité disponible : 1 disponible(s)
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G069111577XI4N00
Quantité disponible : 1 disponible(s)
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G069111577XI3N00
Quantité disponible : 1 disponible(s)
Vendeur : BooksRun, Philadelphia, PA, Etats-Unis
Paperback. Etat : Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. N° de réf. du vendeur 069111577X-11-18
Quantité disponible : 1 disponible(s)
Vendeur : Books From California, Simi Valley, CA, Etats-Unis
Paperback. Etat : Good. light amount of wear along the edges of the cover of the book (creasing). N° de réf. du vendeur mon0003205960
Quantité disponible : 1 disponible(s)
Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover, 160 pages, very good condition; light rubbing to covers with laminate starting to peel at lower right corner; no internal marks. . Foreign shipping may be extra. N° de réf. du vendeur ChClPr10
Quantité disponible : 1 disponible(s)
Vendeur : Lexington Books Inc, Idaho Falls, ID, Etats-Unis
Paperback. Etat : Good. Contents are tight and clean; Covers are nicely protected; Ex-Library. N° de réf. du vendeur 075449
Quantité disponible : 1 disponible(s)
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
paperback. Etat : Very Good. Very Good paperback with light shelfwear - NICE! Oversized. N° de réf. du vendeur mon0000259801
Quantité disponible : 1 disponible(s)
Vendeur : Cottage Street Books, Greenwich, NY, Etats-Unis
Soft cover. Etat : Fine. 2003. Princeton University Press. Tall 4to. Softcover. VG+. Faint crease on front cover and first few pages. N° de réf. du vendeur K3040
Quantité disponible : 1 disponible(s)
Vendeur : RiverRaisinBooks, Dundee, MI, Etats-Unis
paperback. Etat : As New. Light cover wear. Mint or near mint inside. N° de réf. du vendeur 240727194
Quantité disponible : 1 disponible(s)