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Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting - Couverture rigide
Synopsis
Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frédéric Bazille, and Pierre-Auguste Renoir, Fellow Men argues for the importance of the group as a defining subject of nineteenth-century French painting. Through close readings of some of the most ambitious paintings of the realist and impressionist generation, Bridget Alsdorf offers new insights into how French painters understood the shifting boundaries of their social world, and reveals the fragile masculine bonds that made up the avant-garde.
A dedicated realist who veered between extremes of sociability and hermetic isolation, Fantin-Latour painted group dynamics over the course of two decades, from 1864 to 1885. This was a period of dramatic change in French history and art--events like the Paris Commune and the rise and fall of impressionism raised serious doubts about the power of collectivism in art and life. Fantin-Latour's monumental group portraits, and related works by his friends and colleagues from the 1850s through the 1880s, represent varied visions of collective identity and test the limits of association as both a social and an artistic pursuit. By examining the bonds and frictions that animated their social circles, Fantin-Latour and his cohorts developed a new pictorial language for the modern group: one of fragmentation, exclusion, and willful withdrawal into interior space that nonetheless presented individuality as radically relational.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos de l?auteur
Bridget Alsdorf is an assistant professor in the Department of Art and Archaeology at Princeton University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Fellow Men Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting
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Princeton University Press, 2013
ISBN 10 : 0691153671
ISBN 13 : 9780691153674
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Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting
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Princeton University Press, 2012
ISBN 10 : 0691153671
ISBN 13 : 9780691153674
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Fellow Men
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Princeton University Press, 2013
ISBN 10 : 0691153671
ISBN 13 : 9780691153674
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Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting
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Princeton University Press, 2013
ISBN 10 : 0691153671
ISBN 13 : 9780691153674
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Etat : New. Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frederic Bazille, and Pierre-Auguste Renoir, this book argues for the importance of the group as a defining subject of nineteenth-century French painting. Num Pages: 352 pages, 42 color illus. 122 halftones. BIC Classification: 1DDF; 3JH; ACV; AFC. Category: (P) Professional & Vocational. Dimension: 189 x 260 x 27. Weight in Grams: 1234. . 2012. Hardcover. . . . . N° de réf. du vendeur V9780691153674
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Fellow men : Fantin-Latour and the problem of the group in nineteenth-century French painting
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Princeton University Press, Princeton, NJ, 2013
ISBN 10 : 0691153671
ISBN 13 : 9780691153674
Ancien ou d'occasion
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Hardcover. Etat : VG+. Color illustrated dustjacket with abstract inside cover, black boards with gilt text on spine. xi, (1) 2-333 pp. features many b+w and color illustrations. "Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frédéric Bazille, and Pierre-Auguste Renoir, Fellow Men argues for the importance of the group as a defining subject of nineteenth-century French painting. Bridget Alsdorf offers new insights into how French painters understood the shifting boundaries of their social world, and reveals the fragile masculine bonds that made up the avant-garde. A dedicated realist who veered between extremes of sociability and hermetic isolation, Fantin-Latour painted group dynamics over the course of two decades, from 1864 to 1885. This was a period of dramatic change in French history and art--events like the Paris Commune and the rise and fall of impressionism raised serious doubts about the power of collectivism in art and life. Fantin-Latour's monumental group portraits, and related works by his friends and colleagues from the 1850s through the 1880s, represent varied visions of collective identity and test the limits of association as both a social and an artistic pursuit. By examining the bonds and frictions that animated their social circles, Fantin-Latour and his cohorts developed a new pictorial language for the modern group: one of fragmentation, exclusion, and willful withdrawal into interior space that nonetheless presented individuality as radically relational"--Publisher's description. N° de réf. du vendeur 203271
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Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting
Edité par
Princeton University Press, 2012
ISBN 10 : 0691153671
ISBN 13 : 9780691153674
Ancien ou d'occasion
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Hardcover. Etat : Very Good. Etat de la jaquette : Near Fine. 1st Edition. Very Good hardcover in a Near Fine dust jacket. First Edition, First Printing. Overall a bright and attractive copy. Leaning the to spine. The text is clean and bright. Illustrated. A letter from Alsdorf to a museum library is laid in. 333 pp. N° de réf. du vendeur 004774
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Alsdorf, B: Fellow Men
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Princeton University Press, 2013
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ISBN 13 : 9780691153674
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Gebunden. Etat : New. Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frederic Bazille, and Pierre-Auguste Renoir, this book argues for the importance of the group as a defining subject of nineteenth-century . N° de réf. du vendeur 594884921
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Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting
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Princeton University Press, 2012
ISBN 10 : 0691153671
ISBN 13 : 9780691153674
Neuf
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Fellow Men - Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting
Edité par
Princeton University Press, 2013
ISBN 10 : 0691153671
ISBN 13 : 9780691153674
Neuf
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Fellow Men
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Princeton University Press, US, 2012
ISBN 10 : 0691153671
ISBN 13 : 9780691153674
Neuf
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Hardback. Etat : New. Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frederic Bazille, and Pierre-Auguste Renoir, Fellow Men argues for the importance of the group as a defining subject of nineteenth-century French painting. Through close readings of some of the most ambitious paintings of the realist and impressionist generation, Bridget Alsdorf offers new insights into how French painters understood the shifting boundaries of their social world, and reveals the fragile masculine bonds that made up the avant-garde. A dedicated realist who veered between extremes of sociability and hermetic isolation, Fantin-Latour painted group dynamics over the course of two decades, from 1864 to 1885. This was a period of dramatic change in French history and art--events like the Paris Commune and the rise and fall of impressionism raised serious doubts about the power of collectivism in art and life.Fantin-Latour's monumental group portraits, and related works by his friends and colleagues from the 1850s through the 1880s, represent varied visions of collective identity and test the limits of association as both a social and an artistic pursuit. By examining the bonds and frictions that animated their social circles, Fantin-Latour and his cohorts developed a new pictorial language for the modern group: one of fragmentation, exclusion, and willful withdrawal into interior space that nonetheless presented individuality as radically relational. N° de réf. du vendeur LU-9780691153674
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