Synopsis
A groundbreaking look at how Chicano graphic artists and their collaborators have used their work to imagine and sustain identities and political viewpoints during the past half centuryThe 1960s witnessed the rise of the Chicano civil rights movement, or El Movimiento, and marked a new way of being a person of Mexican descent in the United Stat
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À propos de l'auteur
E. Carmen Ramos is the Smithsonian American Art Museum's acting chief curator and curator of Latinx art. Her books include Tamayo: The New York Years and Our America: The Latino Presence in American Art. Tatiana Reinoza is assistant professor of art history at the University of Notre Dame. Terezita Romo is an art historian, curator, and writer. She is the author of Malaquias Montoya. Claudia E. Zapata is the Latinx art curatorial assistant at the Smithsonian American Art Museum.
À propos de la quatrième de couverture
A groundbreaking look at how Chicano graphic artists and their collaborators have used their work to imagine and sustain identities and political viewpoints during the past half centuryThe 1960s witnessed the rise of the Chicano civil rights movement, or El Movimiento, and marked a new way of being a person of Mexican descent in the United Stat
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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¡Printing the Revolution!: The Rise and Impact of Chicano Graphics, 1965 to Now
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Princeton University Press, 2020
ISBN 10 : 0691210802
ISBN 13 : 9780691210803
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Printing the Revolution! : The Rise and Impact of Chicano Graphics, 1965 to Now
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Princeton University Press, 2020
ISBN 10 : 0691210802
ISBN 13 : 9780691210803
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¡Printing the Revolution!: The Rise and Impact of Chicano Graphics, 1965 to Now
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Princeton University Press, 2020
ISBN 10 : 0691210802
ISBN 13 : 9780691210803
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Printing the Revolution! (Paperback)
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Princeton University Press, New Jersey, 2020
ISBN 10 : 0691210802
ISBN 13 : 9780691210803
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Paperback. Etat : new. Paperback. A groundbreaking look at how Chicano graphic artists and their collaborators have used their work to imagine and sustain identities and political viewpoints during the past half centuryThe 1960s witnessed the rise of the Chicano civil rights movement, or El Movimiento, and marked a new way of being a person of Mexican descent in the United States. To call oneself Chicano-a formerly derogatory term-became a political and cultural statement, and Chicano graphic artists asserted this identity through their printmaking and activism. !Printing the Revolution! explores the remarkable legacy of Chicano graphic arts relative to major social movements, the way these artists and their cross-cultural collaborators advanced printmaking methods, and the medium's unique role in shaping critical debates about U.S. identity and history.From satire and portraiture to politicized pop, this volume examines how artists created visually captivating graphics that catalyzed audiences. Posters and prints announced labor strikes and cultural events, highlighted the plight of political prisoners, schooled viewers in Third World liberation movements, and, most significantly, challenged the invisibility of Mexican Americans in U.S. society. While screen printing was the dominant mode of printmaking during the civil rights era, this book considers how artists have embraced a wide range of techniques and strategies, from installation art to shareable digital graphics. This book shows how artists have used and continue to use graphic arts as a means to engage the public, address social justice concerns, and wrestle with shifting notions of the term Chicano.Uniting historic civil rights prints and artworks by leading graphic artists working today, !Printing the Revolution! presents a vibrant look at the past, present, and future of an essential aspect of Chicano art.Exhibition ScheduleSmithsonian American Art Museum, Washington, DCSeptember 11, 2020-January 24, 2021Published in association with the Smithsonian American Art Museum, Washington, DC A groundbreaking look at how Chicano graphic artists and their collaborators have used their work to imagine and sustain identities and political viewpoints during the past half centuryThe 1960s witnessed the rise of the Chicano civil rights movement, or El Movimiento, and marked a new way of being a person of Mexican descent in the United Stat Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780691210803
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Printing the Revolution! : The Rise and Impact of Chicano Graphics, 1965 to Now
Edité par
Princeton University Press, 2020
ISBN 10 : 0691210802
ISBN 13 : 9780691210803
Ancien ou d'occasion
Couverture souple
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Printing the Revolution!
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¡printing the Revolution!: The Rise and Impact of Chicano Graphics, 1965 to Now (Flexibound)
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Princeton University Press December 2020, 2020
ISBN 10 : 0691210802
ISBN 13 : 9780691210803
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Trade Paperback. Etat : New. A groundbreaking look at how Chicano graphic artists and their collaborators have used their work to imagine and sustain identities and political viewpoints during the past half century The 1960s witnessed the rise of the Chicano civil rights movement, or El Movimiento, and marked a new way of being a person of Mexican descent in the United States. To call oneself Chicano--a formerly derogatory term--became a political and cultural statement, and Chicano graphic artists asserted this identity through their printmaking and activism. ¡Printing the Revolution! explores the remarkable legacy of Chicano graphic arts relative to major social movements, the way these artists and their cross-cultural collaborators advanced printmaking methods, and the medium's unique role in shaping critical debates about U.S. identity and history. From satire and portraiture to politicized pop, this volume examines how artists created visually captivating graphics that catalyzed audiences. Posters and prints announced labor strikes and cultural events, highlighted the plight of political prisoners, schooled viewers in Third World liberation movements, and, most significantly, challenged the invisibility of Mexican Americans in U.S. society. While screen printing was the dominant mode of printmaking during the civil rights era, this book considers how artists have embraced a wide range of techniques and strategies, from installation art to shareable digital graphics. This book shows how artists have used and continue to use graphic arts as a means to engage the public, address social justice concerns, and wrestle with shifting notions of the term Chicano. Lavishly illustrated and featuring three double gatefolds, ¡Printing the Revolution! presents a vibrant look at the past, present, and future of an essential aspect of Chicano art. Exhibition ScheduleSmithsonian American Art Museum, Washington, DCReopening 2021, Dates TBD Published in association with the Smithsonian American Art Museum, Washington, DC 'Published in conjunction with the exhibition of the same name, presented at the Smithsonian American Art Museum, Washington, DC, November 20, 2020 to May 2, 2021.'. N° de réf. du vendeur 325306
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?Printing the Revolution!: The Rise and Impact of Chicano Graphics, 1965 to Now
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ISBN 10 : 0691210802
ISBN 13 : 9780691210803
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¡Printing the Revolution!: The Rise and Impact of Chicano Graphics, 1965 to Now
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Princeton University Press, 2020
ISBN 10 : 0691210802
ISBN 13 : 9780691210803
Neuf
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