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Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Rebecca M. Rush is assistant professor of English at the University of Virginia.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. 2021. hardcover. . . . . . Books ship from the US and Ireland. N° de réf. du vendeur 9780691212555
Quantité disponible : 2 disponible(s)
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2021. hardcover. . . . . . N° de réf. du vendeur 9780691212555
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Vendeur : Argosy Book Store, ABAA, ILAB, New York, NY, Etats-Unis
hardcover. Etat : fine. Etat de la jaquette : fine. x, 284 pages. 8vo, gray cloth, d.w. (very minor edgewear at head and tail). Princeton: Princeton University Press, (2021). A fine copy in a fine dust wrapper. N° de réf. du vendeur 311543
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Hardback. Etat : Very Good. How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetryIn his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from ?the troublesome and modern bondage of Riming.? Despite his claim to be a pioneer, Milton was not initiating a new line of thought?English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth?s reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse?s complexities.Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser?s sonnet rhymes stood as emblems of voluntary confinement, how John Donne?s revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson?s verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme?s allures.Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading. N° de réf. du vendeur 00107161174
Quantité disponible : 2 disponible(s)
Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Hardback. Etat : Very Good. How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetryIn his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from ?the troublesome and modern bondage of Riming.? Despite his claim to be a pioneer, Milton was not initiating a new line of thought?English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth?s reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse?s complexities.Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser?s sonnet rhymes stood as emblems of voluntary confinement, how John Donne?s revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson?s verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme?s allures.Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading. N° de réf. du vendeur CIN0691212554VG
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Vendeur : Books From California, Simi Valley, CA, Etats-Unis
hardcover. Etat : Good. minor wear and creasing. N° de réf. du vendeur mon0003603769
Quantité disponible : 5 disponible(s)
Vendeur : The Compleat Scholar, Rochester, NY, Etats-Unis
hardcover. Etat : As New. Never read, no marks or highlighting in the book. Our copy is hardback with a dust jacket, showing light shelf-wear. N° de réf. du vendeur 23-1206-06
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Vendeur : Daedalus Books, Portland, OR, Etats-Unis
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. First Edition. A nice, clean copy. ; 8vo 8" - 9" tall; 304 pages. N° de réf. du vendeur 310280
Quantité disponible : 1 disponible(s)
Vendeur : J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, Etats-Unis
Hardcover. 304pp. As new, clean, tight and bright condition, with bright and crisp dust jacket. N° de réf. du vendeur 222247
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 42104355-n
Quantité disponible : Plus de 20 disponibles