A beautifully illustrated look at how the acclaimed ceramicist draws on the postcolonial experience in her work
Magdalene Odundo (b. 1950) is a Kenyan-born British ceramicist whose extraordinary works have been widely celebrated for their beauty and universality. Her studies of classical forms across many global traditions--from Greek and Chinese to Aztec and African--are evident in her intimate, evocative shapes. Sequoia Miller sheds light on the colonial and material traditions that inform Odundo's ceramics, showing how the artist deftly blends cultural and ethnographic sources to give expression to the postcolonial experience. This beautifully illustrated book discusses Odundo's innovative method and puts her ceramic forms into conversation with global contemporary art. This close examination allows for a careful look at the artist's works on paper--her prints and sketchbook drawings, published here in depth for the first time--demonstrating how they are a fundamental aspect of her creative practice. The book also features an in-depth Q&A with Odundo, in which she shares rare insights into her sense of self as an artist. With an incisive foreword by Susan Jefferies and illuminating contributions by Nehal El-Hadi, Elizabeth Harney, and Barbara Thompson, Magdalene Odundo provides new perspectives on an incomparable artist of our time, revealing the profound complexities of her work while deepening our understanding of modernism more broadly. Published in association with the Gardiner Museum of Ceramic Art, TorontoLes informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Sequoia Miller is chief curator and deputy director at the Gardiner Museum of Ceramic Art in Toronto. His books include Ceramic Art and The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. A beautifully illustrated look at how the acclaimed ceramicist draws on the postcolonial experience in her workMagdalene Odundo (b. 1950) is a Kenyan-born British ceramicist whose extraordinary works have been widely celebrated for their beauty and universality. Her studies of classical forms across many global traditions-from Greek and Chinese to Aztec and African-are evident in her intimate, evocative shapes. Sequoia Miller sheds light on the colonial and material traditions that inform Odundo's ceramics, showing how the artist deftly blends cultural and ethnographic sources to give expression to the postcolonial experience.This beautifully illustrated book discusses Odundo's innovative method and puts her ceramic forms into conversation with global contemporary art. This close examination allows for a careful look at the artist's works on paper-her prints and sketchbook drawings, published here in depth for the first time-demonstrating how they are a fundamental aspect of her creative practice. The book also features an in-depth QandA with Odundo, in which she shares rare insights into her sense of self as an artist.With an incisive foreword by Susan Jefferies and illuminating contributions by Nehal El-Hadi, Elizabeth Harney, and Barbara Thompson, Magdalene Odundo provides new perspectives on an incomparable artist of our time, revealing the profound complexities of her work while deepening our understanding of modernism more broadly.Published in association with the Gardiner Museum of Ceramic Art, Toronto. N° de réf. du vendeur LU-9780691265308
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Hardcover. Etat : new. Hardcover. A beautifully illustrated look at how the acclaimed ceramicist draws on the postcolonial experience in her work.Magdalene Odundo (b. 1950) is a Kenyan-born British ceramicist whose extraordinary works have been widely celebrated for their beauty and universality. Her studies of classical forms across many global traditions from Greek and Chinese to Aztec and African are evident in her intimate, evocative shapes. Sequoia Miller sheds light on the colonial and material traditions that inform Odundo's ceramics, showing how the artist deftly blends cultural and ethnographic sources to give expression to the postcolonial experience.This beautifully illustrated book discusses Odundo's innovative method and puts her ceramic forms into conversation with global contemporary art. This close examination allows for a careful look at the artist's works on paper her prints and sketchbook drawings, published here in depth for the first time demonstrating how they are a fundamental aspect of her creative practice. The book also features an in-depth Q&A with Odundo, in which she shares rare insights into her sense of self as an artist.With an incisive foreword by Susan Jefferies and illuminating contributions by Nehal El-Hadi, Elizabeth Harney, and Barbara Thompson, Magdalene Odundo provides new perspectives on an incomparable artist of our time, revealing the profound complexities of her work while deepening our understanding of modernism more broadly.Published in association with the Gardiner Museum of Ceramic Art, Toronto Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780691265308
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Hardback. Etat : New. A beautifully illustrated look at how the acclaimed ceramicist draws on the postcolonial experience in her workMagdalene Odundo (b. 1950) is a Kenyan-born British ceramicist whose extraordinary works have been widely celebrated for their beauty and universality. Her studies of classical forms across many global traditions-from Greek and Chinese to Aztec and African-are evident in her intimate, evocative shapes. Sequoia Miller sheds light on the colonial and material traditions that inform Odundo's ceramics, showing how the artist deftly blends cultural and ethnographic sources to give expression to the postcolonial experience.This beautifully illustrated book discusses Odundo's innovative method and puts her ceramic forms into conversation with global contemporary art. This close examination allows for a careful look at the artist's works on paper-her prints and sketchbook drawings, published here in depth for the first time-demonstrating how they are a fundamental aspect of her creative practice. The book also features an in-depth QandA with Odundo, in which she shares rare insights into her sense of self as an artist.With an incisive foreword by Susan Jefferies and illuminating contributions by Nehal El-Hadi, Elizabeth Harney, and Barbara Thompson, Magdalene Odundo provides new perspectives on an incomparable artist of our time, revealing the profound complexities of her work while deepening our understanding of modernism more broadly.Published in association with the Gardiner Museum of Ceramic Art, Toronto. N° de réf. du vendeur LU-9780691265308
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