This is the first monograph on British-born photographer Janice Guy (born 1953), gathering her radical experiments in photography from the late 1970s. Made while she was a student at the Kunstakademie Düsseldorf, this selection of photographs sheds light on Guy's work as an artist before she gained international renown as a gallerist of contemporary art. The German photographer Thomas Struth, a fellow student in Germany at the time, has written a moving essay for this book about their formative years and ongoing friendship. The book also includes an introduction by American photographer Justine Kurland, which makes a compelling case for the reconsideration of these photographs today. The work presented in Janice Guy, much of which appears here for the first time, reverberates as never before amid the current proclivity for producing and circulating images of ourselves.
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M0692057536Z3
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Vendeur : LCDC, Brooklyn, NY, Etats-Unis
Hardcover. Etat : As New. N° de réf. du vendeur ABE-1760889307978
Quantité disponible : 1 disponible(s)
Vendeur : Colin Martin Books, Near Hull, EY, Royaume-Uni
Hardcover. Etat : New. Qto., 72 pages, 30 large b/w photographs. Signed by the artist. A New copy. N° de réf. du vendeur 100792
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