Drawing the Eye to Nothingness: A Breast Cancer Memoir - Couverture souple

Cullar-Ledford, Thedra; Cullar-Ledford, Stephen

 
9780692412237: Drawing the Eye to Nothingness: A Breast Cancer Memoir

Synopsis

Houston artist Thedra Cullar-Ledford was three days from surgery to donate a kidney to a friend when the last test of the screening process revealed her breast cancer. The art she made during the subsequent short-but-intense cancer journey came together in the exhibition “Drawing the Eye to Nothingness” at Houston’s G Gallery in April of 2015. This catalog from the show not only documents the emotionally-charged artwork, but puts that work into context by combining it with medical information the artist received and graphic photos of the impacts on her body throughout the entire process. Cancer changed Thedra’s life in many ways. The art that emerged from the experience led to a solo exhibition at the Contemporary Arts Museum Houston and a series of amazing professional opportunities. Her decision to not go through breast reconstruction placed her at odds with the expectations of many people and even some of the medical community. However, it also led to her finding and helping to grow a worldwide community of like-minded people who believe that reconstruction should be an option — not the default — presented to every woman undergoing a mastectomy. Her artwork continues to focus on how female bodies are affected by society at large.

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À propos de l'auteur

Thedra Cullar-Ledford, the only child of two struggling artists, was born in Abilene, Texas, later moved to Mexico City and then to Eagle Pass, a dusty little noplace on the Texas/Mexico border. At just 16, she was emancipated in order to move to Dallas by herself to attend the Booker T. Washington High School for the Performing and Visual Arts. From there, she received a full scholarship to California College of the Arts where she met Stephen on the very first day. They were married by age 21. She received a BFA cum laude in painting and then attended the Ruskin School of Drawing and Fine Art at Oxford University in the UK for a masters in printmaking and sculpture. The family moved 16 times in 20 years before settling in Houston to establish her practice and build Independence Art Studios which provides studio spaces to other Houston artists. They have two sons, a dog, two cats, and six chickens. “Thedra has been one of the biggest personalities and presences on the Houston scene for over a decade. A quintessential bad girl, her humorously aggressive feminist statements and explorations of the perversity of Texas’ masculinist iconography have been widely exhibited and collected. She uses the familiar deformities of plastic doll bodies to speak to the way girls are indoctrinated into their social roles.” Bill Arning, Executive Director, Contemporary Arts Museum Houston Things got real in 2013 when, in her attempt to donate a kidney to a friend, she was found to have breast cancer and required a bilateral mastectomy. Suddenly she found herself learning a sociopolitical landscape in which a largely male medical establishment was telling women patients what to do, think, and feel about their bodies. She encountered a community of like-minded breast cancer activists who, in the her words, felt no compunction to reconstruct their bodies to erase their post-surgery differences and thereby allow others ‘the freedom to not think about cancer.’” “I think as I get further from the intensity of being in the moment of dealing with cancer, it becomes more and more abstract. I can still talk about breast cancer specifically, but I think my work will go back to the same theme I’ve talked about for a while — cultural impositions on women — with unreconstructed breast cancer survivors like myself being Exhibit A of things gone too far.”

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.