The decorated Ice Age caves are some of mankind's greatest artistic achievements, and there is no substitute for seeing the caves themselves. There you can see the art – paintings, engravings, bas-reliefs or drawings – in its original, natural setting, and stand where the artists did 30,000– 10,000 years ago.
For speleologists and holidaymakers alike – indeed anyone who wants to add a visit to a cave to their itinerary – here is an essential handbook. The first guide to all the decorated Ice Age caves in Europe that are open to the public, Cave Art covers more than 50 caves in England, France, Spain, Portugal and Italy, as well as relevant museums and centres.
This second edition has been fully revised and includes three additional caves and four new facsimiles.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Paul Bahn is a distinguished archaeologist and writer and broadcaster on archaeology. He led the team that discovered the caves of Creswell Crags. He lives in Hull.
There are many reasons for visiting the Ice Age decorated caves of Europe. You may be making a pilgrimage, in homage to the region's artists of 30,000-10,000 years ago; you may be visiting out of curiosity, books, television or lecture slides having triggered your interest. Whatever your motivation, there is simply no substitute for seeing the sites themselves. You will see some of humankind's greatest artistic achievements in their unusual, evocative and original settings. In addition, many of the caves are in regions of outstanding beauty and wonderful climates, famed for their wines and cuisines.
A visit to an Ice Age cave is a tremendous privilege. After more than a century of research, we still know of only about three hundred such sites in Eurasia, and because of difficulties of access or conservation concerns only a small fraction of these are open to the public. Thus Ice Age caves constitute a very limited and finite resource. In a cave visitors can approach original masterpieces really closely and see the images precisely where they were created, standing or crouching just where the artists did - an experience unparalleled by major art galleries such as the Louvre or the Prado.
In many cases, the journey to the cave entrance and the route through the chambers give your experience an immediacy, purity and vividness. There is nothing like a stalactite dripping on your head to remind you that you are in a pristine and natural setting. Entering a world far removed from one of commerce, art dealers and critics enhances a feeling of connection with the artists.
Although a number of decorated caves have had to be closed to the public in recent years (for example Santimamiñe, Maltravieso), others have been re-opened (for example Candamo). In addition some new discoveries have been opened for the first time - most notably El Pendo, Church Hole (Creswell Crags) and various open-air sites in Spain and Portugal. Moreover, such has been the enormous success of the facsimiles of the caves of Lascaux and Altamira that a whole series of such replicas is already in production and will be opening in the next few years.
In view of the ever-growing popularity of Ice Age cave art, this book is intended to help you prepare for an enjoyable and meaningful visit. The excellent and knowledgeable guides at each site will further enhance your experience.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : MW Books, New York, NY, Etats-Unis
First Frances Lincoln Edition. Near fine paperback copy; edges very slightly dulled. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 224 pages : illustrations (chiefly color), maps ; 20 cm. Notes: Includes bibliographical references and index. Contents: Cave art -- England -- Church Hole and Robin Hood's Cave -- France -- La Chaire a Calvin -- Font de Gaume -- Les Combarelles -- Cap Blanc -- Abri Pataud and Cave Pataud (Abri Movius) -- Rouffignac -- Bernifal -- Abri du Poisson (and Laugerie Haute) -- Bara-Bahau -- Villars -- Abri Reverdit (Castel-Merle) -- Lascaux II -- Musee National de Prehistoire (Les Eyzies) -- Cougnac -- Grotte des Merveilles -- Pech-Merle -- Pair-non-Pair -- Musee d'Aquitaine -- Isturitz and Oxocelhaya -- Gargas -- Bedeilhac -- Niaux -- Parc de la Prehistoire -- Musee d'Archeologie Nationale -- Spain -- Covalanas -- Altamira II -- Chufin -- El Castillo -- Las Monedas -- Hornos de la Pena -- El Pendo -- Salitre II (Sopena) -- El Pindal -- El Buxu -- Tito Bustillo -- La Loja -- La Pena de Candamo (and Interpretation Centre) -- Los Casares -- La Pileta -- Ardales (Cueva de Dona Trinidad) -- Ambrosio -- Siega Verde -- Domingo Garcia (Cerro de San Isidro) -- Museo Arqueologico Nacional -- Portugal -- Escoural -- Coa Valley -- Italy -- Levanzo (Grotta del Genovese) -- Grotta dei Puntali -- Carini (PA) -- Grotta del Caviglione e Balzi Rossi -- Riparo de Romito. Subjects: Cave paintings - Europe - Guidebooks. Europe - Guidebooks. 1 Kg. N° de réf. du vendeur 457298
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Vendeur : Greenworld Books, Arlington, TX, Etats-Unis
Etat : very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy. N° de réf. du vendeur GWV.0711226555.VG
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Vendeur : HPB-Diamond, Dallas, TX, Etats-Unis
paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_463248812
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Vendeur : MW Books Ltd., Galway, Irlande
First Frances Lincoln Edition. Near fine paperback copy; edges very slightly dulled. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 224 pages : illustrations (chiefly color), maps ; 20 cm. Notes: Includes bibliographical references and index. Contents: Cave art -- England -- Church Hole and Robin Hood's Cave -- France -- La Chaire a Calvin -- Font de Gaume -- Les Combarelles -- Cap Blanc -- Abri Pataud and Cave Pataud (Abri Movius) -- Rouffignac -- Bernifal -- Abri du Poisson (and Laugerie Haute) -- Bara-Bahau -- Villars -- Abri Reverdit (Castel-Merle) -- Lascaux II -- Musee National de Prehistoire (Les Eyzies) -- Cougnac -- Grotte des Merveilles -- Pech-Merle -- Pair-non-Pair -- Musee d'Aquitaine -- Isturitz and Oxocelhaya -- Gargas -- Bedeilhac -- Niaux -- Parc de la Prehistoire -- Musee d'Archeologie Nationale -- Spain -- Covalanas -- Altamira II -- Chufin -- El Castillo -- Las Monedas -- Hornos de la Pena -- El Pendo -- Salitre II (Sopena) -- El Pindal -- El Buxu -- Tito Bustillo -- La Loja -- La Pena de Candamo (and Interpretation Centre) -- Los Casares -- La Pileta -- Ardales (Cueva de Dona Trinidad) -- Ambrosio -- Siega Verde -- Domingo Garcia (Cerro de San Isidro) -- Museo Arqueologico Nacional -- Portugal -- Escoural -- Coa Valley -- Italy -- Levanzo (Grotta del Genovese) -- Grotta dei Puntali -- Carini (PA) -- Grotta del Caviglione e Balzi Rossi -- Riparo de Romito. Subjects: Cave paintings - Europe - Guidebooks. Europe - Guidebooks. 1 Kg. N° de réf. du vendeur 457298
Quantité disponible : 1 disponible(s)
Vendeur : Bennor Books IOBA, Hexham, Royaume-Uni
Soft cover. Etat : Very Good. 224pp, col illus. Original owner's mark on ffl. N° de réf. du vendeur 007656
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