Italy's Private Gardens: An Inside View - Couverture rigide

Attlee, Helena

Couverture rigide

ISBN 10 : 0711229104 ISBN 13 : 9780711229105

Editeur : Frances Lincoln, 2010

Synopsis

Helena Attlee’s 20 years of experience with gardens lets her bring readers the very best in Italy's Private Gardens. She has talked and teased with owners, in the process admiring some of Italy's finest gardens, both large and small. She has even delved into the past and explored the future. The result is a book full of wonderfully fresh insight into those most marvelous of creations — the great gardens of Italy. At Villa Barbarigo in the Veneto, Count Pizzoni Ardemani recounts childhood tales of playing in the garden and talking to the statues. Countess Pietromarchi persuades roses to thrive in the challenging climate of central Italy, sharing this secret — and many others — in her garden at La Ferriera in southern Tuscany. Each garden has been specially photographed by Alex Ramsay and he, too, brings readers the people behind the plants in this spectacular, unique look at beautiful gardens.

A propos du livre

À propos des auteurs

Helena Attlee is an author and journalist who has made the garden and its history her special subject. Her books include The Gardens of Portugal Italian Gardens: A Cultural History and Gardens of Wales (all publishd by Frances Lincoln). She lectures widely, writes for a wide range of journals and magazines, and leads specialist garden tours. She lives in Presteigne, Powys, with her husband, the photographer Alex Ramsay.

Alex Ramsay is well known as an award-winning photographer of architecture, gardens and landscapes. His work has appeared in leading magazines worldwide and illustrates many books including Helena Attlee's Italian Gardens: A Cultural History and Gardens of Wales. To visit Alex Ramsay's website click here

Extrait. © Reproduit sur autorisation. Tous droits réservés.

'I wasn't sure that we had really made a garden', the principessa says, 'until I received a call from Clarence House in London to ask if the Queen Mother could visit Il Biviere with some friends.' These illustrious visitors arrived in 1988 and responded to the garden with such delight that the principessa was finally convinced that she had achieved her aim. It had been a long journey. When she and her husband started to plan the garden they had 'no idea' what they were doing. They began by buying two books in California, one on exotics and the other on succulents. 'This gave us an idea of all the plants that would grow in a climate more or less like ours,' she says, 'and from then on we experimented.' There was much structural work to be done before planting could begin. They focused their attention at first on the little stone harbour beside the house. The empty basin was enclosed by walls so ancient that the ropes of moored boats had cut grooves and even holes deep into its surface. The Borghese brought in tons of topsoil to fill the basin, re-submerging the harbour walls once again. They waited patiently for grass to self-seed naturally in the soil-filled basin. They could have sown the area with a commercial lawn seed, or even used turf to achieve an instant verdure. By watering and mowing native grasses, however, they eventually created a resilient lawn that sits naturally in the surrounding landscape.



At this early stage the Borghese chose 'easy' plants for the garden. The tiny, frost-hardy yuccas that they planted against the garden faà § ade of the house have now reached roof height, and so have the cereus and organ-pipe cacti that were placed like sentries on either side of the front door. The ancient harbour walls that just broke the surface of the new lawn were hollowed out and filled with soil and grit, becoming an ingenious plant theatre where the principessa could display the statuesque cacti and succulents that line the boundary of the harbour like a series of impressive statues.



A small door leads from the shady harbour to the dazzling sunshine of the main garden, which covers an area of approximately 2.5 hectares. We process, the principessa, her cat and I, from one remarkable tree or plant to the next. Here is the Parkinsonia aculeata (Jerusalem thorn) that the Queen Mother so appreciated on her visit in June 1988. 'She fell in love with it' Principessa Borghese recalls, 'because it was completely covered in jasmine-scented yellow flowers.' And here is a towering jacaranda (Jacaranda mimosifolia) which first displays its vivid blue flowers in spring, but holds onto them until early summer. By then, the double white flowers of the roses (Rosa fortuniana) will be in full swing. A generous flight of steps links this area of the garden directly to the drawing room inside the house. The double doors are generally wide open and the principessa loves this integration of house and garden.



The cat leads us from the upper garden near the house to the open lawns below it. Here the principessa pushes aside the leaves of cycads to reveal a nest filled with female cones that look rather like eggs laid by some passing dinosaur. On sunny, sloping ground, we find a battalion of agaves that she has planted in a formidable row. They are all the more impressive because, like so many of the plants in the garden, they have been given the space to grow unhindered, achieving their full, sculptural glory. By placing different varieties side by side, she has revealed the subtle differences in the turning of their leaves and the shapes of their ferocious spines. She is attentive to their needs. 'I made this little slope for them,' she explains, 'because they can't bear to have waterlogged roots.' Unlike so many gardeners, however, she does not subject her succulents to drought. Given an optimum amount of water, and grown in soil enriched wit

Détails de l'édition

• Éditeur: Frances Lincoln
• Date d'édition: 2010
• Langue: anglais
• ISBN 10: 0711229104
• ISBN 13: 9780711229105
• Reliure: Relié
• Numéro d'édition: 1
• Nombre de pages: 208
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible