From the late 19th century, wood engraving became a medium for creative expression. One of the most prolific and significant engravers was Gwen Raverat (1885-1957). Raverat had an impressionistic approach - her skill at conveying atmosphere and different qualities of light was unrivalled. This book was first published in a limited edition, handprinted by Simon Lawrence at his Fleece Press. It contains an in-depth assessment of Gwen Raverat as a wood engraver, exploring her technique and her experiments with colour prints. In addition it contains the first catalogue of all her engravings, and a descriptive bibliography of the books and ephemera which she illustrated.
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From the late 19th century, wood engraving became a medium for creative expression. One of the most prolific and significant engravers was Gwen Raverat (1885-1957). Raverat had an impressionistic approach - her skill at conveying atmosphere and different qualities of light was unrivalled. This book was first published in a limited edition, handprinted by Simon Lawrence at his Fleece Press. It contains an in-depth assessment of Gwen Raverat as a wood engraver, exploring her technique and her experiments with colour prints. In addition it contains the first catalogue of all her engravings, and a descriptive bibliography of the books and ephemera which she illustrated.
The Publication as a whole will be of interest to anyone wanting to know more about the modern history of wood engraving, and the achivement of an artist whose work for too long been obscured by unsought success as a writer. --The Art Book
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Black cloth boards with gilt stamped spine lettering. Aqua dust jacket with BW illustration adn white lettering. 152 pp. Illustrations. "From the late nineteenth century, wood engraving ceased to be a reproductive process and became a medium for creative expression. In this revival one of the most prolific and significant engravers was Gwen Raverat (1885-1957), the only women to become a founder-member of the Society of Wood Engravers. Gwen was the granddaughter of Charles Darwin and is still today widely admired for her delightful autobiography Period Piece with its amusing drawings. She grew up in Cambridge, whose river, fens, and trees were the source of her enduring love for landscape and provided themes of universal and lasting appeal. Gwen had been trained as a painter, and therefore visualised subjects in tone rather than line. She had an impressionistic approach to form, expressing it in terms of light - her skill at conveying atmosphere and different qualities of light was unrivalled. Gwen also had a strong sense of character as is shown by her numerous illustrations to children's books." "This book was first published in a limited edition of 300 copies, handprinted by Simon Lawrence at his Fleece Press. It contains the first in-depth assessment of Gwen Raverat as a wood engraver, exploring her technique and her experiments with colour prints. In addition it contains the first catalogue of all her engravings, whether on hard- or soft-wood or lino, and the first descriptive bibliography of the books and ephemera which she illustrated. It is illustrated throughout with examples of her work."--Jacket. VG/VG: Exlibrary book. Sticker on the dust jacket at the base of the spine. Stamp and pencil makings on the front free end page. Sticker, due date card, and stamp on back pasted end page. N° de réf. du vendeur 203941
Quantité disponible : 1 disponible(s)
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Black cloth boards with gilt stamped spine lettering. Aqua dust jacket with BW illustration adn white lettering. 152 pp. Illustrations. "From the late nineteenth century, wood engraving ceased to be a reproductive process and became a medium for creative expression. In this revival one of the most prolific and significant engravers was Gwen Raverat (1885-1957), the only women to become a founder-member of the Society of Wood Engravers. Gwen was the granddaughter of Charles Darwin and is still today widely admired for her delightful autobiography Period Piece with its amusing drawings. She grew up in Cambridge, whose river, fens, and trees were the source of her enduring love for landscape and provided themes of universal and lasting appeal. Gwen had been trained as a painter, and therefore visualised subjects in tone rather than line. She had an impressionistic approach to form, expressing it in terms of light - her skill at conveying atmosphere and different qualities of light was unrivalled. Gwen also had a strong sense of character as is shown by her numerous illustrations to children's books." "This book was first published in a limited edition of 300 copies, handprinted by Simon Lawrence at his Fleece Press. It contains the first in-depth assessment of Gwen Raverat as a wood engraver, exploring her technique and her experiments with colour prints. In addition it contains the first catalogue of all her engravings, whether on hard- or soft-wood or lino, and the first descriptive bibliography of the books and ephemera which she illustrated. It is illustrated throughout with examples of her work."--Jacket. VG/VG- light wear to dust jacket extremities. N° de réf. du vendeur 172330
Quantité disponible : 1 disponible(s)
Vendeur : Marcus Campbell Art Books, London, Royaume-Uni
Second Edition. 28 x 23 cm 151 pp with b&w illustrations throughout. Cloth, fine in dustwrapper. N° de réf. du vendeur 28284
Quantité disponible : 1 disponible(s)
Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Hardback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR013743078
Quantité disponible : 1 disponible(s)