In 1971, Jorge Luis Borges was invited to preside over a series of seminars on his writing at Columbia University. This book is a record of those seminars, which took the form of informal discussions between Borges, Norman Thomas di Giovanni--his editor and translator, Frank MacShane--then head of the writing program at Columbia, and the students. Borges's prose, poetry, and translations are handled separately and the book is divided accordingly.
The prose seminar is based on a line-by-line discussion of one of Borges's most distinctive stories, "The End of the Duel." Borges explains how he wrote the story, his use of local knowledge, and his characteristic method of relating violent events in a precise and ironic way. This close analysis of his methods produces some illuminating observations on the role of the writer and the function of literature.
The poetry section begins with some general remarks by Borges on the need for form and structure and moves into a revealing analysis of four of his poems. The final section, on translation, is an exciting discussion of how the art and culture of one country can be "translated" into the language of another.
This book is a tribute to the brilliant craftsmanship of one of South America's--indeed, the world's--most distinguished writers and provides valuable insight into his inspiration and his method.
Jorge Luis Borges (1899-1986) es uno de los escritores más destacados del siglo veinte. Sus obras incluyen cuentos, poesía y ensayos. Fue director de la Biblioteca Nacional en Argentina por dieciocho años y, en el ínterin, fue nombrado doctor honoris causa por la Universidad de Columbia y la Universidad de Oxford, entre otras. Borges fue galardonado con numerosos premios literarios en el transcurso de su carrera, entre los cuales se encuentra el Premio Internacional de Literatura que compartió con Samuel Beckett, otorgado por el Congreso Internacional de Editores en Formentor, Mallorca.
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Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Hardcover. Etat : Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0713907843I5N01
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:0713907843. N° de réf. du vendeur 9496463
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Vendeur : Harry E Bagley Books, Fredericton, NB, Canada
Yellow Cloth, Gilt Spine. Etat : Very Good. Etat de la jaquette : Very Good. First UK Edition. (1974) pp., 173, spine and lower back panel of d.j. faded, some edge and corner wear to d.j. Size: 8 Vo., Book. N° de réf. du vendeur 2234
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Vendeur : La Librería, Iberoamerikan. Buchhandlung, Bonn, NRW, Allemagne
Leinen. Etat : Gut. 1st. british edition. 205x135 mm. 173 p., Hardcover, original Cloth w./ dustjacket. Sprache: Englisch, Good conditions. Dustjacket: lightly worn and faded. USADO / GEBRAUCHT / USED. «In 1971 Borges was invited to preside over a series of seminars on his writing at Columbia University. This book is a record of those seminars, which took the form of informal discussions between Borges, Norman Thomas di Giovanni, his editor and translator, Frank MacShane, head of the department of creative writing at Columbia, and the students. The book is divided into three separate sectionson prose, poetry, and translation. The prose seminar is based on a line-by-line discussion of one of Borges' most distinctive stories, 'The End of the Duel'. Borges explains how he wrote the story, his use of local knowledge, and his characteristic method of relating violent events in a precise and ironic way. From this close analysis of his methods he is drawn- into illuminating general observations on the role of the writer and the function of literature. The poetry section starts with some general remarks by Borges on the need for form and structure and goes on to a close look at four recent Borges poems. The last section, on translation, is particularly interesting. Borges' reputation has spread only gradually to the English-speaking world and hence many of his works written in the 1930s and 1940s are only now being published in translation. The discussion here, led by di Giovanni, is an exciting record of how the art and culture of one country can be translated into the language of another. It shows the way in which the translation of Borges' work is part of a constant process of development, not rigid or sacred to the original, but subject to continual testing and experiment with new words, phrases, and tonal colouring. Borges is probably the supreme verbal craftsman alive today. This book provides a revealing insight into the inspiration and method of his writing.» [Borges+essays+writing+argentinian literature+latinamaricna literature+seminars+columbia university]. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 34,20 (original price 38,00) **. N° de réf. du vendeur 521521
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Vendeur : Mispah books, Redhill, SURRE, Royaume-Uni
hardcover. Etat : Acceptable. Acceptable. Dust Jacket NOT present. CD WILL BE MISSING. SHIPS FROM MULTIPLE LOCATIONS. book. N° de réf. du vendeur ERICA82907139078433
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