Grisha, my son,
I am interrupting my Testament to write you this letter. When you read it, you will be old enough to understand it and me. But will you read it? Will you receive it? I fear not. Like all the writings of prisoners it will rot in the secret archives. And yet . . . something in me tells me that a testament is never lost. Even if nobody reads it, its content is transmitted. The call of the dying will be here; if not today, then tomorrow. All our actions are inscribed in the great Book of Creation: that is the very essence of the noble tradition of Judaism, and I entrust it to you.
I am writing you because I’m about to die. When? I don’t know. One month from now, perhaps six. As soon as I shall have finished this Testament? I cannot answer that question.
It’s night, but I don’t know whether the darkness is in myself or outside. The naked bulb blinds me. The jailer will soon open the peephole. I recognize his step. I’m not afraid of him. I enjoy certain privileges: I can write as much as I like, and whenever I life. And what I like. I’m a free man.
I try to imagine you in five or ten years. What kind of man will you be when you reach my age: What will you know of the interrogations and tortures that have haunted your father?
I see you, my son, as I see my father. I see you both as in a dream, and the dream is real. My voice calls your and his, even if only to tell the world of its ugliness, even if only to cry out together for help, to mourn together the death of hope and sing together the death of Death.
I am your father, Grisha. It is my duty to give you instruction and counsel. Where can I draw them from? I haven’t made such a success of my life that I can arrogate to myself the right to guide yours. In spite of my experience with people I don’t know how to save them or awaken them; I even wonder whether they wish to be saved or awakened. In spite of everything I was able to learn—and I’ve learned a lot—I don’t know the answers that will have to be given to the grave, fundamental questions that concern human beings. The individual facing the future, facing his fellow man, had no chance whatsoever of survival. All that remains is faith. God. As a source of questioning I would gladly accept Him: but what He requires is affirmation, and there I draw the line. And yet. My father and his father believed in God: I envy them. I tell you so you will know: I envy them their pure faith, I who have never envied anyone anything.
Perhaps you will find a way to read my poems; they are a kind of spiritual biography. No, that’s too pretentious. A poetic biography? It’s not that either. Songs—they’re simply songs offered to my father, whom I had seen in a dream. Among the most recent is one I intend to revise in my mind. Its title is both naïve and ironic: “Life Is a Poem.” Life is not a poem. I do not know what life is, and I shall die without knowing.
My father, whose name you bear, knew. But he is dead. That is why I can only say to you—remember that he knew what his son does not.
I have tried. If I have time, I’ll tell you how. Let me at least tell you this: Don’t follow the path I took, it doesn’t lead to truth. Truth, for a Jew, is to dwell among his brothers. Link your destiny to that of your people; otherwise you will surely reach an impasse.
Not that I am ashamed of having believed in the Revolution. It did give hope to the hungry, persecuted masses. But seeing what it has become, I no longer believe in it. The great upheavals of history, its dramatic accelerations . . . all things considered, I prefer mystics to politicians.
I am going to die within a month, a year, and I should like to go on living. With you and for you. To have you meet the characters who are sharing my wait in this cell of mine.
I must tell you that in my Testament I did plead guilty. Yes, guilty. But not to what I take to be the meaning of the charge. On the contrary: guilty of not having lived as my father did. That, my son, is the irony: I lived a Communist and I die a Jew.
The tempest has swept over us and people are no longer what they were. I have grown up, matured. I walked through the forest and lost my way. It’s too late to go back. Life is like that—going back is impossible.
Your father
On August 12, 1952, Russia's greatest Jewish writers were secretly executed by Stalin. In this remarkable blend of history and imagination, Paltiel Kossover meets the same fate but, unlike his real-life counterparts, he is permitted to leave a written testament. From a Jewish boyhood in pre-revolutionary Russia, Paltiel traveled down a road that embraced Communism, only to return to Russia and discover a Communist Party that had become his mortal enemy. Two decades later, Paltiel's son, Grisha, reads this precious record of his father's life and finds that it illuminates the shadowed planes of his own.
Passionate and fierce, this story of a father's legacy to his son revisits some of the most dramatic events of our century, and confirms yet again Elie Wiesel's stature as "a writer of the highest moral imagination" ( San Francisco Chronicle).
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. N° de réf. du vendeur GOR005584617
Quantité disponible : 1 disponible(s)
Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 18186967-6
Quantité disponible : 1 disponible(s)
Vendeur : BoundlessBookstore, Wallingford, Royaume-Uni
Hardcover. Etat : Good. 1st GB edition. Light wear to boards. Content is clean and bright. Good DJ with some toning. N° de réf. du vendeur 9999-999107528953
Quantité disponible : 1 disponible(s)
Vendeur : Kisharon Langdon New Chapters, HARROW, Royaume-Uni
Etat : Good. This copy is in Good condition ? a loved and well-read book with visible signs of use. The text is fully readable and complete with no missing pages. There may be some cover wear, mild creasing to the spine, or minor marks inside, but nothing that detracts from the reading experience. SOME STAINS ON THE TOP OUTSIDE OF SOME PAGES. Every book we list is individually hand-checked by our team at Kisharon Langdon New Chapters. We take pride in honest, accurate grading ? what you read is what you receive. New Chapters is a social enterprise supporting people with Learning Disabilities and Autistic People into meaningful work. Your purchase makes a real difference. N° de réf. du vendeur AISLE9/Box7/RSi2/200826
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
hardcover. Etat : Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized. N° de réf. du vendeur mon0000321400
Quantité disponible : 1 disponible(s)
Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0713914297. N° de réf. du vendeur 2942705
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Vendeur : Chapter 1, Johannesburg, GAU, Afrique du sud
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition. Translated from the French by Marion Wiesel. Heavy book may require extra postage unless posted within South Africa. Publication of 346 pages. The dust jacket is a touch edge worn. The boards are in good condition. Internally the pages are clean and complete. Tightly bound and presented beautifully in cellophane. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services. N° de réf. du vendeur 6prjv
Quantité disponible : 1 disponible(s)
Vendeur : Chapter 1, Johannesburg, GAU, Afrique du sud
hardcover. Etat : Good. Etat de la jaquette : Good. First Edition. shelf wear and some usage markings on both book and jacket. internally clean, intact and presentable. may require extra postage outside South Africa. [SK]. Our orders are shipped using tracked courier delivery services. N° de réf. du vendeur c55cx
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Vendeur : Joie de Livre, Varennes sur Amance, France
Couverture rigide. Etat : Très bon. Etat de la jaquette : Très bon. English, hardcover with dustjacket, very good condition, 346 pages, colis. N° de réf. du vendeur WK546
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Vendeur : RightWayUp Books, Woodbridge, SUFFO, Royaume-Uni
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Wiesel, Elie. The testament : a novel / translated from the French by Marion Wiesel. First UK edition. London: Allen Lane, 1981. Hardback, VG, in unclipped dustajcket with minor shelfwear and a few small marks. Vertical crease to rear inside flap. Wheat boards, black cloth spine with author monogram in silver to front, silver lettering to spine. Binding strong. 346pp., contents clean and bright. The Testament, to be followed by The Fifth Son, and The Forgotten mark a thematic change in Elie Wiesel's telling of the Holocaust and its aftermath as Wiesel moves into telling the story of three children of the survivors. The novel takes the form of the memoirs of a Russian Jewish poet, Paltiel Kossova,Wiesel, Elie whose idealism leads him to turn from his Jewish religious heritage towards communism. The novel won the Prix du Livre Inter, and Prix des Bibliothécaires, Prix Interallie 1980 and was nominated for the Prix Concourt. RightWayUp Books aims to provide accurate and detailed descriptions. All images are of the actual book for sale - no stock images are ever used. Thank you for looking at this listing. N° de réf. du vendeur ABE-1719002428275
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