Giovanni Antonio Canaletto (1697-1768) is one of the most popular of all old master painters. His views of Venice and London are much celebrated and admired. Canaletto began his career as a scene-painter with his father and his early work, such as the Architectural Capriccio of 1723, reflects this training. Unlike most of his fellow artists, Canaletto was interested in depicting the world around him, but he was more than a mere recorder of the amazing scenery of Venice or of Georgian England. He had the power, in the words of one of his contemporaries, to paint so that the eye is deceived and truly believes it is the real thing it sees, and his insight and technical skills were so dazzling that it was thought he must rely on some sort of optical apparatus.
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Christopher Baker is a freelance art historian. His publications include Rembrandt (1993) and he has co-authored The Complete Illustrated Catalogue of the National Gallery (1994).
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Paperback. Etat : Very Good. Giovanni Antonio Canal, called Canaletto (1697-1768), is one of the most popular of all old master painters, admired for his magnificant views of Venice and London. In the words of one of his contemporaries, Canaletto had the power to paint so that 'the eye is deceived and truly believes it is the real thing it sees'. Apprenticed to his artist father, Canaletto began his career as a scene-painter. He spent his formative years in Venice and is best known for his depictions of the buildings, canals and festivals of his native city, but he also spent several years in England, where he painted many stunning London scenes, including Westminster Bridge, Whitehall and the Old Horse Guards, as well as views of Warwick Castle and Eton College. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR001424698
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