This radical series shows how Classical ideas and material have helped to shape the modern world. The interdisciplinary approach makes stimulating reading for all who welcome the challenge offered by new perspectives on Classical culture. Today we attribute a tragic quality to many things - works, experiences, values, events - but we forget how modern this idea is. This book traces the rise of the tragic idea from early Romanticism to late Modernism. Focusing on succinct, major statements, it maps one of the most absorbing philosophical conversations in modernity: the debate about the tragic meaning of life. This conversation has crossed geographical, linguistic, ideological and religious borders to bring thinkers together in an inquiry into the inner contradictions of liberty. While originally the tragic idea stood for the conflict of freedom and necessity, it gradually absorbed other irreconcilable dialectical collisions. It turned tragedy from a genre into a problem for ethics, aesthetics, criticism, classics, politics, anthropology and psychology, to name but a few.Scholars in these fields today will be fascinated to find human responsibility caught in the tragic web of modern dilemmas. Classicists in particular will be intrigued by the story of how, over the last two centuries, tragedy has acquired a second, parallel life away from the stage.
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Vassilis Lambropoulos is C.P. Cavafy Professor of Modern Greek in Classical Studies and Comparative Literature at the University of Michigan.
Paul Cartledge is A. G. Leventis Professor of Greek Culture at Cambridge University, UK, and a Fellow of Clare College. He has published extensively on Greek history over several decades, including The Cambridge Illustrated History of Ancient Greece (1997, new edition 2002), Alexander the Great: The Hunt for a New Past (2004, revised edition 2005), Ancient Greek Political Thought in Practice (2009), and Democracy: A Life (2016).
Susanna Morton Braund is Professor of Latin Poetry and Its Reception at University of British Columbia, Vancouver, Canada. She has published extensively on Roman satire, Latin epic poetry and Seneca, including for Bloomsbury The Roman Satirists and Their Masks (1998).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. This radical series shows how Classical ideas and material have helped to shape the modern world. The interdisciplinary approach makes stimulating reading for all who welcome the challenge offered by new perspectives on Classical culture. Today we attribute a tragic quality to many things - works, experiences, values, events - but we forget how modern this idea is. This book traces the rise of the tragic idea from early Romanticism to late Modernism. Focusing on succinct, major statements, it maps one of the most absorbing philosophical conversations in modernity: the debate about the tragic meaning of life. This conversation has crossed geographical, linguistic, ideological and religious borders to bring thinkers together in an inquiry into the inner contradictions of liberty. While originally the tragic idea stood for the conflict of freedom and necessity, it gradually absorbed other irreconcilable dialectical collisions. It turned tragedy from a genre into a problem for ethics, aesthetics, criticism, classics, politics, anthropology and psychology, to name but a few.Scholars in these fields today will be fascinated to find human responsibility caught in the tragic web of modern dilemmas. Classicists in particular will be intrigued by the story of how, over the last two centuries, tragedy has acquired a second, parallel life away from the stage. N° de réf. du vendeur LU-9780715635582
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Paperback. Etat : new. Paperback. This radical series shows how Classical ideas and material have helped to shape the modern world. The interdisciplinary approach makes stimulating reading for all who welcome the challenge offered by new perspectives on Classical culture. Today we attribute a tragic quality to many things - works, experiences, values, events - but we forget how modern this idea is. This book traces the rise of the tragic idea from early Romanticism to late Modernism. Focusing on succinct, major statements, it maps one of the most absorbing philosophical conversations in modernity: the debate about the tragic meaning of life. This conversation has crossed geographical, linguistic, ideological and religious borders to bring thinkers together in an inquiry into the inner contradictions of liberty. While originally the tragic idea stood for the conflict of freedom and necessity, it gradually absorbed other irreconcilable dialectical collisions. It turned tragedy from a genre into a problem for ethics, aesthetics, criticism, classics, politics, anthropology and psychology, to name but a few.Scholars in these fields today will be fascinated to find human responsibility caught in the tragic web of modern dilemmas. Classicists in particular will be intrigued by the story of how, over the last two centuries, tragedy has acquired a second, parallel life away from the stage. We attribute a tragic quality to many things - works, experiences, values, events - but we forget how modern this idea is. This book traces the rise of the tragic idea from early Romanticism to late Modernism. It maps one of the most absorbing philosophical conversations in modernity: the debate about the tragic meaning of life. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780715635582
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