From its first publication, what is now known as the Immortality Ode has been praised for the magnificence of its verse and disparaged for its paucity of meaning - the 'immortality' of the subtitle unsubstantiated, and the 'recollections' insubstantial. Yet Wordsworth's idea of immortality has clear precedents in the seventeenth century, and recollections of childhood are Traherne's starting point for the recovery of a lost vision comparable to Wordsworth's. Via the power of the imagination, or reason, they believed they could experience a renewed vision that both termed variously Paradise, or infinity, or immortality. Graham Davidson traces the origins of Wordsworth's poetic impetus to his resistance to the Cartesian division between mind and nature, first adumbrated by the Cambridge Platonists. If reunited, Paradise was regained, but this personal trajectory was tempered by a deep sympathy for the woes of mortal life. Davidson explores the consequent dialogue through some of Wordsworth's best-known poems, at the heart of which is the Ode. In the last section, he demonstrates how Wordsworth's publishing history led the Victorians and modernists to misinterpret his work; if one considers Eliot's Four Quartets as odes, facing several of the same problems as did Wordsworth, there is some irony in Eliot's dismissal of the Immortality Ode as 'verbiage'.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Graham Davidson was the editor of The Coleridge Bulletin for twenty-five years, to which he contributed regularly. He has also published in The Charles Lamb Bulletin, The Wordsworth Circle, Romanticism, and The Philological Quarterly. He has made contributions to Coleridge's Assertion of Religion, Coleridge in the West Country, The Bible in English Literature and Revisioning Cambridge Platonism. His first book, Coleridge's Career, was published in 1990.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. From its first publication, what is now known as the Immortality Ode has been praised for the magnificence of its verse and disparaged for its paucity of meaning - the 'immortality' of the subtitle unsubstantiated, and the 'recollections' insubstantial. Yet Wordsworth's idea of immortality has clear precedents in the seventeenth century, and recollections of childhood are Traherne's starting point for the recovery of a lost vision comparable to Wordsworth's. Via the power of the imagination, or reason, they believed they could experience a renewed vision that both termed variously Paradise, or infinity, or immortality.Graham Davidson traces the origins of Wordsworth's poetic impetus to his resistance to the Cartesian division between mind and nature, first adumbrated by the Cambridge Platonists. If reunited, Paradise was regained, but this personal trajectory was tempered by a deep sympathy for the woes of mortal life. Davidson explores the consequent dialogue through some of Wordsworth's best-known poems, at the heart of which is the Ode. In the last section, he demonstrates how Wordsworth's publishing history led the Victorians and modernists to misinterpret his work; if one considers Eliot's Four Quartets as odes, facing several of the same problems as did Wordsworth, there is some irony in Eliot's dismissal of the Immortality Ode as 'verbiage'. Imagination and immortality in one of Wordsworth's most controversial poems, examined afresh in the context of Cambridge Platonism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780718896447
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -From its first publication, what is now known as the Immortality Ode has been praised for the magnificence of its verse and disparaged for its paucity of meaning - the ¿immortality¿ of the subtitle unsubstantiated, and the ¿recollections¿ insubstantial. Yet Wordsworth¿s idea of immortality has clear precedents in the seventeenth century, and recollections of childhood are Traherne¿s starting point for the recovery of a lost vision comparable to Wordsworth¿s. Via the power of the imagination, or reason, they believed they could experience a renewed vision that both termed variously Paradise, or infinity, or immortality.Graham Davidson traces the origins of Wordsworth¿s poetic impetus to his resistance to the Cartesian division between mind and nature, first adumbrated by the Cambridge Platonists. If reunited, Paradise was regained, but this personal trajectory was tempered by a deep sympathy for the woes of mortal life. Davidson explores the consequent dialogue through some of Wordsworth¿s best-known poems, at the heart of which is the Ode. In the last section, he demonstrates how Wordsworth¿s publishing history led the Victorians and modernists to misinterpret his work; if one considers Eliot¿s Four Quartets as odes, facing several of the same problems as did Wordsworth, there is some irony in Eliot¿s dismissal of the Immortality Ode as ¿verbiage¿. 284 pp. Englisch. N° de réf. du vendeur 9780718896447
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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -From its first publication, what is now known as the Immortality Ode has been praised for the magnificence of its verse and disparaged for its paucity of meaning - the ¿immortality¿ of the subtitle unsubstantiated, and the ¿recollections¿ insubstantial. Yet Wordsworth¿s idea of immortality has clear precedents in the seventeenth century, and recollections of childhood are Traherne¿s starting point for the recovery of a lost vision comparable to Wordsworth¿s. Via the power of the imagination, or reason, they believed they could experience a renewed vision that both termed variously Paradise, or infinity, or immortality.Graham Davidson traces the origins of Wordsworth¿s poetic impetus to his resistance to the Cartesian division between mind and nature, first adumbrated by the Cambridge Platonists. If reunited, Paradise was regained, but this personal trajectory was tempered by a deep sympathy for the woes of mortal life. Davidson explores the consequent dialogue through some of Wordsworth¿s best-known poems, at the heart of which is the Ode. In the last section, he demonstrates how Wordsworth¿s publishing history led the Victorians and modernists to misinterpret his work; if one considers Eliot¿s Four Quartets as odes, facing several of the same problems as did Wordsworth, there is some irony in Eliot¿s dismissal of the Immortality Ode as ¿verbiage¿.Books on Demand GmbH, Überseering 33, 22297 Hamburg 284 pp. Englisch. N° de réf. du vendeur 9780718896447
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - From its first publication, what is now known as the Immortality Ode has been praised for the magnificence of its verse and disparaged for its paucity of meaning - the ¿immortality¿ of the subtitle unsubstantiated, and the ¿recollections¿ insubstantial. Yet Wordsworth¿s idea of immortality has clear precedents in the seventeenth century, and recollections of childhood are Traherne¿s starting point for the recovery of a lost vision comparable to Wordsworth¿s. Via the power of the imagination, or reason, they believed they could experience a renewed vision that both termed variously Paradise, or infinity, or immortality.Graham Davidson traces the origins of Wordsworth¿s poetic impetus to his resistance to the Cartesian division between mind and nature, first adumbrated by the Cambridge Platonists. If reunited, Paradise was regained, but this personal trajectory was tempered by a deep sympathy for the woes of mortal life. Davidson explores the consequent dialogue through some of Wordsworth¿s best-known poems, at the heart of which is the Ode. In the last section, he demonstrates how Wordsworth¿s publishing history led the Victorians and modernists to misinterpret his work; if one considers Eliot¿s Four Quartets as odes, facing several of the same problems as did Wordsworth, there is some irony in Eliot¿s dismissal of the Immortality Ode as ¿verbiage¿. N° de réf. du vendeur 9780718896447
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