The fifteen groundbreaking essays contained in this book address the concept of adaptation in relation to horror cinema. Adaptation is not only a key cultural practice and strategy for filmmakers, but it is also a theme of major importance within horror cinema as a hole. The history of the genre is full of adaptations that have drawn from fiction or folklore, or that have assumed the shape of remakes of pre-existing films. The horror genre itself also abounds with its own myriad transformations and transmutations.
The essays within this volume engage with an impressive range of horror texts, from the earliest silent horror films by Thomas Edison and Jean Epstein through to important contemporary phenomena, such as the western appropriation of Japanese horror motifs. Classic works by Alfred Hitchcock, David Cronenberg and Abel Ferrara receive cutting-edge re-examination, as do unjustly neglected works by Mario Bava, Guillermo del Toro and Stan Brakhage.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Richard J. Hand is Reader in Theatre and Media at the University of Glamorgan in Wales
Jay McRoy is Professor of English at the University of Wisconsin-Parkside
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : New. The first book devoted to the study of horror film and adaptation. Comprised of essays by top scholars in the field, this anthology includes analyses of such under-examined films as Thomas Edison's Frankenstein, John Barrymore's Jekyll and Hyde, Jean Epstein's La Chute de la maison Usher, Gus van Sant's Psycho and Guillermo de Toro's Cronos Editor(s): Hand, Richard J.; McRoy, Jay. Num Pages: 272 pages. BIC Classification: APFA. Category: (UF) Further/Higher Education. Dimension: 216 x 138 x 27. Weight in Grams: 467. . 2007. Hardback. . . . . N° de réf. du vendeur V9780719076039
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Hardback. Etat : New. The fifteen groundbreaking essays contained in this book address the concept of adaptation in relation to horror cinema. Adaptation is not only a key cultural practice and strategy for filmmakers, but it is also a theme of major importance within horror cinema as a hole. The history of the genre is full of adaptations that have drawn from fiction or folklore, or that have assumed the shape of remakes of pre-existing films. The horror genre itself also abounds with its own myriad transformations and transmutations.The essays within this volume engage with an impressive range of horror texts, from the earliest silent horror films by Thomas Edison and Jean Epstein through to important contemporary phenomena, such as the western appropriation of Japanese horror motifs. Classic works by Alfred Hitchcock, David Cronenberg and Abel Ferrara receive cutting-edge re-examination, as do unjustly neglected works by Mario Bava, Guillermo del Toro and Stan Brakhage. N° de réf. du vendeur LU-9780719076039
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Etat : New. The first book devoted to the study of horror film and adaptation. Comprised of essays by top scholars in the field, this anthology includes analyses of such under-examined films as Thomas Edison's Frankenstein, John Barrymore's Jekyll and Hyde, Jean Epstein's La Chute de la maison Usher, Gus van Sant's Psycho and Guillermo de Toro's Cronos Editor(s): Hand, Richard J.; McRoy, Jay. Num Pages: 272 pages. BIC Classification: APFA. Category: (UF) Further/Higher Education. Dimension: 216 x 138 x 27. Weight in Grams: 467. . 2007. Hardback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780719076039
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