When French theory went global in the late twentieth century its visual wing was understandably built on the work of its best-known thinkers, notably Foucault, Derrida, Barthes and Deleuze. However these names merely scratch the surface of a vibrant and innovative body of theory that has been produced in France over the last six decades. This volume focuses on a range of theorists who usually languish under the academic radar, especially when outside of France: Arasse, Buci-Glucksmann, Damisch, Debray, Didi-Huberman, Heinich, Marin, Schefer and Stiegler. Also discussed is the important work on the visual of Baudrillard, Merleau-Ponty, Metz and Nancy. Five major areas of French contemporary visual theory are studied by international scholars working within Visual Culture and Art History: phenomenology and beyond; new art histories and genealogies; semiotics and methodologies; memory and the body; and the digital era.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Nigel Saint and Andy Stafford both lecture in French Studies at the University of Leeds
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Burwood Books, Wickham Market, Royaume-Uni
Hardback. Etat : Very Good. First Edition. Hardback. No Dust Jacket. 8vo. pp xiii, 330. Original publisher's blue cloth covered boards with white lettering at spine and front cover. Includes 13 black and white illustrations. Individual chapters focus on the work of theorists such as Merleau-Ponty, Christian Metz, Daniel Arasse, Hubert Damisch, Christine Buci-Glucksmann, Louis Marin, Jean-Luc Nancy, Jean Baudrillard and Bernard Stiegler (amongst others). ISBN: 9780719081293 May show some slight shelfwear, previous bookseller barcode sticker at rear, else content clean. No DJ. Very good indeed. N° de réf. du vendeur C6099
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