Articles liés à The Limits of Performance in the French Romantic Theatre
The Limits of Performance in the French Romantic Theatre - Couverture souple
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Synopsis
This volume analyses major French plays of the 1830s, focusing on their theatricality, and on the ways in which they expose the workings of the theatre rather than conceal them. It breaks new ground in nineteenth-century theatre scholarship while proposing a fresh direction in the study of text and performance.
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À propos de l'auteur
Dr Susan McCready is Professor of French at the University of South Alabama
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Limits of Performance in the French Romantic Theatre
Edité par
Manchester University Press, 2011
ISBN 10 : 0719081912
ISBN 13 : 9780719081910
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Limits of Performance in the French Romantic Theatre
Edité par
Manchester University Press, 2011
ISBN 10 : 0719081912
ISBN 13 : 9780719081910
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The Limits of Performance in the French Romantic Theatre
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Manchester University Press, GB, 2011
ISBN 10 : 0719081912
ISBN 13 : 9780719081910
Neuf
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Paperback. Etat : New. This volume analyses major French plays of the 1830s, focusing on their theatricality, and on the ways in which they expose the workings of the theatre rather than conceal them. Through an examination of performance within these plays, the study posits that the stage is a privileged site of demonstration, a literal 'proving ground' that lends a physical reality to abstract values announced in the text and shared or questioned by the audience. Negotiating between the literary study of drama and performance theory, this work breaks new ground in nineteenth-century theatre scholarship while proposing a fresh direction in the study of text and performance. The limits of performance 'challenges conventional wisdom', offering 'a novel take on the mal du siècle, that thematic hardy perennial of French Romanticism and the nineteenth century in general', combined with 'eminently readable and, therefore, compelling' analysis of plays - 'a thought-provoking addition to work in the field' (Glyn Hambrook, Modern and Contemporary France, November 2008). N° de réf. du vendeur LU-9780719081910
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The Limits of Performance in the French Romantic Theatre
Edité par
Manchester University Press, GB, 2011
ISBN 10 : 0719081912
ISBN 13 : 9780719081910
Neuf
Paperback
Vendeur : Rarewaves USA, HEBRON, KY, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Paperback. Etat : New. This volume analyses major French plays of the 1830s, focusing on their theatricality, and on the ways in which they expose the workings of the theatre rather than conceal them. Through an examination of performance within these plays, the study posits that the stage is a privileged site of demonstration, a literal 'proving ground' that lends a physical reality to abstract values announced in the text and shared or questioned by the audience. Negotiating between the literary study of drama and performance theory, this work breaks new ground in nineteenth-century theatre scholarship while proposing a fresh direction in the study of text and performance. The limits of performance 'challenges conventional wisdom', offering 'a novel take on the mal du siècle, that thematic hardy perennial of French Romanticism and the nineteenth century in general', combined with 'eminently readable and, therefore, compelling' analysis of plays - 'a thought-provoking addition to work in the field' (Glyn Hambrook, Modern and Contemporary France, November 2008). N° de réf. du vendeur LU-9780719081910
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The limits of performance in the French Romantic theatre (Paperback)
Edité par
Manchester University Press, Manchester, 2011
ISBN 10 : 0719081912
ISBN 13 : 9780719081910
Neuf
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Paperback. Etat : new. Paperback. This volume analyses major French plays of the 1830s, focusing on their theatricality, and on the ways in which they expose the workings of the theatre rather than conceal them. Through an examination of performance within these plays, the study posits that the stage is a privileged site of demonstration, a literal 'proving ground' that lends a physical reality to abstract values announced in the text and shared or questioned by the audience. Negotiating between the literary study of drama and performance theory, this work breaks new ground in nineteenth-century theatre scholarship while proposing a fresh direction in the study of text and performance. The limits of performance 'challenges conventional wisdom', offering 'a novel take on the mal du siecle, that thematic hardy perennial of French Romanticism and the nineteenth century in general', combined with 'eminently readable and, therefore, compelling' analysis of plays - 'a thought-provoking addition to work in the field' (Glyn Hambrook, Modern and Contemporary France, November 2008). -- . This volume analyses major French plays of the 1830s, focusing on their theatricality, and on the ways in which they expose the workings of the theatre rather than conceal them. It breaks new ground in nineteenth-century theatre scholarship while proposing a fresh direction in the study of text and performance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780719081910
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The Limits of Performance in the French Romantic Theatre
Edité par
Manchester University Press, 2011
ISBN 10 : 0719081912
ISBN 13 : 9780719081910
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The Limits of Performance in the French Romantic Theatre
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Manchester University Press, 2011
ISBN 10 : 0719081912
ISBN 13 : 9780719081910
Neuf
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The limits of performance in the French Romantic theatre (Durham Modern Languages Series)
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Manchester University Press, 2011
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