This study brings images of holy motherhood and childbearing into the centre of an art-historical enquiry, showing how images worked not only to script and maintain gender and social roles within patriarchal society but also to offer viewers ways of managing those roles. Some of the manuscripts discussed are relatively unknown and their images and texts are made available to readers for the first time. Through an adaptation of Baxandall's 'period eye', the study considers the many 'cognitive habits' acquired by aristocratic lay women - and men - through familiarity with prayers for childbirth, the lying-in ceremony, and the rite of churching. It then uses this methodology to interpret the images and prayers in six bespoke manuscripts, including the Fitzwilliam Hours and the Hours of Marguerite of Foix. The book will appeal to advanced students, academics and researchers of art history, illuminated manuscripts, medieval history and gender studies.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Elizabeth L'Estrange is an FNRS Post-Doctoral Fellow in History of Art at the University of Liège in Belgium
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. This study brings images of holy motherhood and childbearing into the centre of an art-historical enquiry, showing how images worked not only to script and maintain gender and social roles within patriarchal society but also to offer viewers ways of managing those roles. Some of the manuscripts discussed are relatively unknown and their images and texts are made available to readers for the first time. Through an adaptation of Baxandall's 'period eye', the study considers the many 'cognitive habits' acquired by aristocratic lay women - and men - through familiarity with prayers for childbirth, the lying-in ceremony, and the rite of churching. It then uses this methodology to interpret the images and prayers in six bespoke manuscripts, including the Fitzwilliam Hours and the Hours of Marguerite of Foix. The book will appeal to advanced students, academics and researchers of art history, illuminated manuscripts, medieval history and gender studies. N° de réf. du vendeur LU-9780719087264
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Paperback. Etat : new. Paperback. This study brings images of holy motherhood and childbearing into the centre of an art-historical enquiry, showing how images worked not only to script and maintain gender and social roles within patriarchal society but also to offer viewers ways of managing those roles. Some of the manuscripts discussed are relatively unknown and their images and texts are made available to readers for the first time. Through an adaptation of Baxandall's 'period eye', the study considers the many 'cognitive habits' acquired by aristocratic lay women - and men - through familiarity with prayers for childbirth, the lying-in ceremony, and the rite of churching. It then uses this methodology to interpret the images and prayers in six bespoke manuscripts, including the Fitzwilliam Hours and the Hours of Marguerite of Foix. The book will appeal to advanced students, academics and researchers of art history, illuminated manuscripts, medieval history and gender studies. -- . Brings images of holy motherhood and childbearing into the centre of an art-historical enquiry. Focuses on miniatures of the birth of the Virgin and the mothers of the Holy Kinship in Books of Hours made for aristocratic women in relation to the dynastic importance of heirs and the material culture of childbearing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780719087264
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