Science fiction and socialism have always had a close relationship. Many sf novelists and filmmakers are leftists. Others examine explicit or implicit Marxist concerns. As a genre, sf is ideally suited to critiquing the present through its explorations of the social and political possibilities of the future. This is the first collection to combine analyses of sf literature and films within a broader overview of Marxist theorisations of and critical perspectives on the genre. This is an accessible and lively introduction for anyone studying the politics of sf, covering a rich variety of examples from Weimar cinema to mainstream Hollywood films, and novelists from Jules Verne and H.G. Wells to Kim Stanley Robinson, Ken MacLeod and Charles Stross.
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Mark Bould is Reader in Film and Literature at the University of the West of England, co-editor of Science Fiction Film and Television and an advisory editor for Extrapolation, Historical Materialism, Paradoxa and Science Fiction Studies. His books include Film Noir: From Berlin to Sin City (2005), The Cinema of John Sayles (2009) and he is co-editor of The Routledge Companion to Science Fiction (2009). China Mieville is an independent researcher and novelist. He won the Arthur C. Clarke Award for Perdido Street Station (2000) and Iron Council (2004), the British Fantasy Award for The Scar (2002) and the Locus Award for Best Young Adult Book for Un Lun Dun (2007). He is an editor of Historical Materialism.
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Etat : New. 2009. Paperback. Analyzes science fiction literature and cinema within broad overview of Marxist theories of the genre. Editor(s): Bould, Mark; Mieville, China. Series: Marxism and Culture. Num Pages: 304 pages, 1 photo. BIC Classification: JPA. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 216 x 135 x 17. Weight in Grams: 372. . . . . . N° de réf. du vendeur V9780745327303
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Paperback. Etat : New. Science fiction and socialism have always had a close relationship. Many sf novelists and filmmakers are leftists. Others examine explicit or implicit Marxist concerns.As a genre, sf is ideally suited to critiquing the present through its explorations of the social and political possibilities of the future. This is the first collection to combine analyses of sf literature and films within a broader overview of Marxist theory and critical perspectives on the genre. Covering a rich variety of examples from Weimar cinema to mainstream Hollywood films, and novelists from Jules Verne and H.G. Wells to Kim Stanley Robinson, Ken MacLeod and Charles Stross, this is an indespensible insight into how Marxism and science fiction go hand-in-hand. N° de réf. du vendeur LU-9780745327303
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