There was something uncanny about Charlie Chaplin. His fellow actors spoke of him as inhuman--automaton-like. His stiff, comic movements could be viewed as an attempt to parody the newly developed production lines of Henry Ford's revolutionary factories. As wide-scale application of this technology spread to Soviet Russia, Chaplin's slapstick comedic style also found a following among the artists carving out a new society under communism.
In The Chaplin Machine, Owen Hatherley unearths the hidden history of Soviet film, art, and architecture. Turning upside down the common view that the communist avant-garde was austere and humorless, he reveals an unexpected comedic streak that found its inspiration in the slapstick of the American performers Charlie Chaplin and Buster Keaton. What did it mean for socialists to combine the ideas of Chaplin and Ford? Were their experiments indicative of a new future conception of work and leisure? And to what degree was this emphasis on comedy a precursor to the strangely festive despotism of Stalin? By asking these questions, The Chaplin Machine challenges our understanding of twentieth-century art in America and abroad.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Owen Hatherley is the author of Militant Modernism, A Guide to the New Ruins of Great Britain, and Landscapes of Communism.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. Could Buster Keaton have starred in Battleship Potemkin?Did Trotsky plan to write the great Soviet comedy?And why did Lenin love circus clowns?The Chaplin Machine reveals the lighter side of the Communist avant-garde and its unlikely passion for American slapstick. Set against the backdrop of the great Russian revolutionary experiment, Owen Hatherley tells the tragic-comedic story of the cinema, art and architecture of the early 20th Century and spotlights the unlikely intersections of East and West. N° de réf. du vendeur LU-9780745336015
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Hardcover. Etat : new. Hardcover. Could Buster Keaton have starred in Battleship Potemkin?Did Trotsky plan to write the great Soviet comedy?And why did Lenin love circus clowns?The Chaplin Machine reveals the lighter side of the Communist avant-garde and its unlikely passion for American slapstick. Set against the backdrop of the great Russian revolutionary experiment, Owen Hatherley tells the tragic-comedic story of the cinema, art and architecture of the early 20th Century and spotlights the unlikely intersections of East and West. The tragic-comedic story of the cinema, art and architecture of the early 20th Century, highlighting the unlikely intersections of East and West Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780745336015
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