This book collects together Adorno's manifold implications for musical interpretation. His reflections lead to a fundamental study of the nature of notation and musical sense. However, it is the quality of uncertainty in his reflections that indicates the scope of the discourse and its continuing relevance to musical thought today.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Theodor W. Adorno is the author of Towards a Theory of Musical Reproduction: Notes, a Draft and Two Schemata, published by Wiley.
Henri Lonitz is the editor of Towards a Theory of Musical Reproduction: Notes, a Draft and Two Schemata, published by Wiley.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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23.5 x 15.5cms 278pp very good+ hardback no dustwrapper as issued? A series of notes & drafts on the performance of music & its interpretation addressing the dialectical relation between the musical score & its realized sound. N° de réf. du vendeur 30065192
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Hardback. Etat : New. At the beginning of his career in the 1920s, Adorno sketched a plan to write a major work on the theory of musical reproduction, a task he returned to time and again throughout his career but never completed. The choice of the word reproduction as opposed to interpretation indicates a primary supposition: that there is a clearly defined musical text whose precision exceeds what is visible on the page, and that the performer has the responsibility to reproduce it as accurately as possible, beyond simply playing what is written. This task, according to Adorno, requires a detailed understanding of all musical parameters in their historical context, and his reflections upon this task lead to a fundamental study of the nature of notation and musical sense. In the various notes and texts brought together in Towards a Theory of Musical Reproduction, one finds Adorno constantly circling around an irresolvable paradox: interpretation can only fail the work, yet only through it can musics true essence be captured. While he at times seems more definite in his pronouncement of a musical scores absolute value just as a book is read silently, not aloud his discourse repeatedly displays his inability to cling to that belief. It is this quality of uncertainty in his reflections that truly indicates the scope of the discourse and its continuing relevance to musical thought and practice today. N° de réf. du vendeur LU-9780745631981
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Hardcover. Etat : new. Hardcover. At the beginning of his career in the 1920s, Adorno sketched a plan to write a major work on the theory of musical reproduction, a task he returned to time and again throughout his career but never completed. The choice of the word reproduction as opposed to interpretation indicates a primary supposition: that there is a clearly defined musical text whose precision exceeds what is visible on the page, and that the performer has the responsibility to reproduce it as accurately as possible, beyond simply playing what is written. This task, according to Adorno, requires a detailed understanding of all musical parameters in their historical context, and his reflections upon this task lead to a fundamental study of the nature of notation and musical sense. In the various notes and texts brought together in Towards a Theory of Musical Reproduction, one finds Adorno constantly circling around an irresolvable paradox: interpretation can only fail the work, yet only through it can musics true essence be captured. While he at times seems more definite in his pronouncement of a musical scores absolute value just as a book is read silently, not aloud his discourse repeatedly displays his inability to cling to that belief. It is this quality of uncertainty in his reflections that truly indicates the scope of the discourse and its continuing relevance to musical thought and practice today. This book collects together Adornos manifold implications for musical interpretation. His reflections lead to a fundamental study of the nature of notation and musical sense. However, it is the quality of uncertainty in his reflections that indicates the scope of the discourse and its continuing relevance to musical thought today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780745631981
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