This is a collection of more than 150 excerpts from books, journals, magazines and newspapers, creating an anthology of essays about jazz - the life and the music. Dividing the book into three sections - "Autobiography", "Reportage" and "Criticism", Robert Gottlieb also provides an overall introduction and a brief preface to each piece. There are first-person narratives by Louis Armstrong, Sidney Bechet, Billie Holliday, Charles Mingus, Charlie Parker, Jelly Roll Morton and Fats Waller. There is journalism about musicians and recordings by Whitney Balliet, Leonard Feather, Nat Hentoff, Ralph Ellison, Rudi Blesh, Lillian Ross, A.B. Spellman and Dan Morgenstern. The critiques of major musicians are by Marshall Stearns, Henry Pleasants, Will Friedwald, Gary Giddins, Andre Hodeir, Eric Hobsbawn, Philip Larkin, Albert Murray, Stanley Crouch, LeRoi Jones, Jean-Paul Sartre, Gunther Schuller and Virgil Thompson.
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"Comprehensive and intelligently organized. . . . Jazz aficionados . . . should be grateful to have so much good writing on the subject in one place."-- The New York Times Book Review
"Alluring. . . . Capture[s] much of the breadth of the music, as well as the passionate debates it has stirred, more vividly than any other jazz anthology to date."-- Chicago Tribune
No musical idiom has inspired more fine writing than jazz, and nowhere has that writing been presented with greater comprehensiveness and taste than in this glorious collection. In Reading Jazz, editor Robert Gottlieb combs through eighty years of autobiography, reportage, and criticism by the music's greatest players, commentators, and fans to create what is at once a monumental tapestry of jazz history and testimony to the elegance, vigor, and variety of jazz writing.
Here are Jelly Roll Morton, recalling the whorehouse piano players of New Orleans in 1902; Whitney Balliett, profiling clarinetist Pee Wee Russell; poet Philip Larkin, with an eloquently dyspeptic jeremiad against bop. Here, too, are the voices of Billie Holiday and Charles Mingus, Albert Murray and Leonard Bernstein, Stanley Crouch and LeRoi Jones, reminiscing, analyzing, celebrating, and settling scores. For anyone who loves the music--or the music of great prose--Reading Jazz is indispensable.
"The ideal gift for jazzniks and boppers everywhere. . . . It gathers the best and most varied jazz writing of more than a century."-- Sunday Times (London)
Robert Gottlieb is the former Editor-in-Chief of Alfred A. Knopf and of The New Yorker. He is the dance critic for the New York Observer and author of George Balanchine: The Ballet Maker. He has previously edited Reading Jazz, Reading Lyrics (with Robert Kimball), the Everyman's Library edition of The Collected Stories of Rudyard Kipling, and The Journals of John Cheever.
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