A much-needed critical introduction to some of the most important Japanese horror films produced over the last fifty years, Japanese Horror Cinema provides an insightful examination of the tradition’s most significant trends and themes. The book examines the genre’s dominant aesthetic, cultural, political and technological underpinnings, and individual chapters address key topics such as: the debt Japanese horror films owe to various Japanese theatrical and literary traditions; the popular ‘avenging spirit’ motif; the impact of atomic warfare, rapid industrialisation and apocalyptic rhetoric on Japanese visual culture; the extents to which changes in the economic and social climate inform representations of monstrosity and gender; the influence of recent shifts in audience demographics; and the developing relations (and contestations) between Japanese and ‘Western’ (Anglo-American and European) horror film tropes and traditions. Extensive coverage of the central thematic concerns and stylistic traits of Japanese horror cinema makes this volume an indispensable text for a myriad of film and cultural studies courses.Features:* Includes a preface by Christopher Sharrett* Each chapter covers a fundamental aspect of Japanese horror cinema and is written by an expert in the field* Case studies include internationally renowned films such as Nakata Hideo’s Ringu, Ishii Takashi’s Freeze Me and Fukasaku Kinji’s Battle Royale* Appendices feature an interview with maverick filmmaker Miike Takashi and a filmography of Japanese horror films currently available in the UK and US.
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Jay McRoy is Professor of English and Cinema Studies at the University of Wisconsin – Parkside. He is the author of Nightmare Japan: Contemporary Japanese Horror Cinema (Rodopi, 2008), the editor of Japanese Horror Cinema (Edinburgh University Press, 2005), and the co-editor (with Richard J. Hand) of Monstrous Adaptations: Generic and Thematic Mutations in Horror Film (Manchester University Press, 2007).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : New. Japanese Horror Cinema is a much-needed critical introduction to some of the most important Japanese horror films produced over the last fifty years and provides an insightful examination of the tradition's most significant trends and themes. Editor(s): McRoy, Jay. Series: Traditions in World Cinema. Num Pages: 240 pages. BIC Classification: 1FPJ; APF. Category: (U) Tertiary Education (US: College); (UP) Postgraduate, Research & Scholarly. Dimension: 234 x 166 x 13. Weight in Grams: 382. . 2005. Paperback. . . . . N° de réf. du vendeur V9780748619955
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Paperback. Etat : New. A much-needed critical introduction to some of the most important Japanese horror films produced over the last fifty years, Japanese Horror Cinema provides an insightful examination of the tradition's most significant trends and themes. The book examines the genre's dominant aesthetic, cultural, political and technological underpinnings, and individual chapters address key topics such as: the debt Japanese horror films owe to various Japanese theatrical and literary traditions; the popular 'avenging spirit' motif; the impact of atomic warfare, rapid industrialisation and apocalyptic rhetoric on Japanese visual culture; the extents to which changes in the economic and social climate inform representations of monstrosity and gender; the influence of recent shifts in audience demographics; and the developing relations (and contestations) between Japanese and 'Western' (Anglo-American and European) horror film tropes and traditions. Extensive coverage of the central thematic concerns and stylistic traits of Japanese horror cinema makes this volume an indispensable text for a myriad of film and cultural studies courses.Features:* Includes a preface by Christopher Sharrett* Each chapter covers a fundamental aspect of Japanese horror cinema and is written by an expert in the field* Case studies include internationally renowned films such as Nakata Hideo's Ringu, Ishii Takashi's Freeze Me and Fukasaku Kinji's Battle Royale* Appendices feature an interview with maverick filmmaker Miike Takashi and a filmography of Japanese horror films currently available in the UK and US. N° de réf. du vendeur LU-9780748619955
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Etat : New. Japanese Horror Cinema is a much-needed critical introduction to some of the most important Japanese horror films produced over the last fifty years and provides an insightful examination of the tradition's most significant trends and themes. Editor(s): McRoy, Jay. Series: Traditions in World Cinema. Num Pages: 240 pages. BIC Classification: 1FPJ; APF. Category: (U) Tertiary Education (US: College); (UP) Postgraduate, Research & Scholarly. Dimension: 234 x 166 x 13. Weight in Grams: 382. . 2005. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780748619955
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Etat : New. Japanese Horror Cinema is a much-needed critical introduction to some of the most important Japanese horror films produced over the last fifty years and provides an insightful examination of the tradition s most significant trends and themes.Klappen. N° de réf. du vendeur 594935503
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Paperback. Etat : New. A much-needed critical introduction to some of the most important Japanese horror films produced over the last fifty years, Japanese Horror Cinema provides an insightful examination of the tradition's most significant trends and themes. The book examines the genre's dominant aesthetic, cultural, political and technological underpinnings, and individual chapters address key topics such as: the debt Japanese horror films owe to various Japanese theatrical and literary traditions; the popular 'avenging spirit' motif; the impact of atomic warfare, rapid industrialisation and apocalyptic rhetoric on Japanese visual culture; the extents to which changes in the economic and social climate inform representations of monstrosity and gender; the influence of recent shifts in audience demographics; and the developing relations (and contestations) between Japanese and 'Western' (Anglo-American and European) horror film tropes and traditions. Extensive coverage of the central thematic concerns and stylistic traits of Japanese horror cinema makes this volume an indispensable text for a myriad of film and cultural studies courses.Features:* Includes a preface by Christopher Sharrett* Each chapter covers a fundamental aspect of Japanese horror cinema and is written by an expert in the field* Case studies include internationally renowned films such as Nakata Hideo's Ringu, Ishii Takashi's Freeze Me and Fukasaku Kinji's Battle Royale* Appendices feature an interview with maverick filmmaker Miike Takashi and a filmography of Japanese horror films currently available in the UK and US. N° de réf. du vendeur LU-9780748619955
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