From the very invention of photography in the early part of the nineteenth century right up through the most recent developments in photography through digital technology, theorists have never stopped asking whether there is in fact any truth at all in photography. The essays collected in this volume consider this and related questions (for example, the relationship between photography and representation, history, time, narrative, memory, mourning, and so on) through the works of Walter Benjamin, Helene Cixous, and Jacques Derrida, among others. The volume opens with a previously untranslated essay by Derrida on photography, entitled, precisely, Aletheia (Truth), and it concludes with 'Melville's Couvade', an original work of fiction on the theme of photography by David Farrell Krell.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Michael Naas is Professor of Philosophy at De Paul University, Chicago. He is an Editor of Oxford Literary Review.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. From the very invention of photography in the early part of the nineteenth century right up through the most recent developments in photography through digital technology, theorists have never stopped asking whether there is in fact any truth at all in photography. The essays collected in this volume consider this and related questions (for example, the relationship between photography and representation, history, time, narrative, memory, mourning, and so on) through the works of Walter Benjamin, Helene Cixous, and Jacques Derrida, among others. The volume opens with a previously untranslated essay by Derrida on photography, entitled, precisely, Aletheia (Truth), and it concludes with 'Melville's Couvade', an original work of fiction on the theme of photography by David Farrell Krell. This volume considers the question of whether there is any truth at all in photography, with reference to the works of Walter Benjamin, Helene Cixous, and Jacques Derrida, among others. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780748642526
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Paperback. Etat : New. From the very invention of photography in the early part of the nineteenth century right up through the most recent developments in photography through digital technology, theorists have never stopped asking whether there is in fact any truth at all in photography. The essays collected in this volume consider this and related questions (for example, the relationship between photography and representation, history, time, narrative, memory, mourning, and so on) through the works of Walter Benjamin, Hélène Cixous, and Jacques Derrida, among others. The volume opens with a previously untranslated essay by Derrida on photography, entitled, precisely, Aletheia (Truth), and it concludes with 'Melville's Couvade', an original work of fiction on the theme of photography by David Farrell Krell. N° de réf. du vendeur LU-9780748642526
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Etat : New. This volume considers the question of whether there is any truth at all in photography, with reference to the works of Walter Benjamin, Helene Cixous, and Jacques Derrida, among others. Editor(s): Naas, Michael. Series: Oxford Literary Review Special Issues. Num Pages: 128 pages, Illustrations. BIC Classification: AJC; HPN. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 213 x 153 x 8. Weight in Grams: 198. . 2010. Paperback. . . . . N° de réf. du vendeur V9780748642526
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