A vital rethinking of memory and the moving image for the digital age, Isabelle McNeill investigates the role of the moving image in cultural memory, considering the impact of digital technologies on visual culture. Drawing on an interdisciplinary range of theoretical resources and an unusual body of films and moving image works, the author examines the ways in which recent French filmmaking conceptualises both the past and the workings of memory. Ultimately the author argues that memory is an intersubjective process, in which filmic forms continue to play a crucial role even as new media come to dominate our contemporary experience. Memory and the Moving Image: *Introduces new ways of thinking about the relation between film and memory, arising from a compelling, interdisciplinary study of theories and films *Subtly explores the French context while drawing theoretical conclusions with wider implications and applicability *Provides detailed and illuminating close readings of varied moving image works to aid theoretical explorations *Moves away from auteurist approaches, examining work by canonical directors including Jean-Luc Godard, Chris Marker and Agnes Varda alongside that of less well-known filmmakers such as Claire Simon and Yamina Benguigui *Brings together thinkers such as Bergson, Deleuze, Bazin and Barthes with, for example, Rodowick and Mulvey, in an engaging interweaving of theories. Works considered include Jean-Luc Godard's Histoire(s) du Cinema (1989-98), Yamina Benguigui's Memoires d'Immigres (1997), Chris Marker's CD-ROM Immemory (1998), Claire Simon's Mimi (2003), Michael Haneke's Cache (2005) and Agnes Varda's multi-media exhibition, L'A le et Elle (2006).
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Isabelle McNeill is Philomathia Fellow in French at Trinity Hall, University of Cambridge, where she teaches French literature and cinema. She is co-founder and trustee of the Cambridge Film Trust, which runs the Cambridge Film Festival.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Phatpocket Limited, Waltham Abbey, HERTS, Royaume-Uni
Etat : Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. N° de réf. du vendeur Z1-F-066-01535
Quantité disponible : 1 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FV-9780748649426
Quantité disponible : 1 disponible(s)
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. A vital rethinking of memory and the moving image for the digital age, Isabelle McNeill investigates the role of the moving image in cultural memory, considering the impact of digital technologies on visual culture. Drawing on an interdisciplinary range of theoretical resources and an unusual body of films and moving image works, the author examines the ways in which recent French filmmaking conceptualises both the past and the workings of memory. Ultimately the author argues that memory is an intersubjective process, in which filmic forms continue to play a crucial role even as new media come to dominate our contemporary experience.Memory and the Moving Image:*Introduces new ways of thinking about the relation between film and memory, arising from a compelling, interdisciplinary study of theories and films*Subtly explores the French context while drawing theoretical conclusions with wider implications and applicability*Provides detailed and illuminating close readings of varied moving image works to aid theoretical explorations*Moves away from auteurist approaches, examining work by canonical directors including Jean-Luc Godard, Chris Marker and Agnes Varda alongside that of less well-known filmmakers such as Claire Simon and Yamina Benguigui*Brings together thinkers such as Bergson, Deleuze, Bazin and Barthes with, for example, Rodowick and Mulvey, in an engaging interweaving of theories.Works considered include Jean-Luc Godard's Histoire(s) du Cinema (1989-98), Yamina Benguigui's Memoires d'Immigres (1997), Chris Marker's CD-ROM Immemory (1998), Claire Simon's Mimi (2003), Michael Haneke's Cache (2005) and Agnes Varda's multi-media exhibition, L'le et Elle (2006). This book investigates the role of the moving image in cultural memory, taking into account the impact of digital technologies on visual culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780748649426
Quantité disponible : 1 disponible(s)
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. A vital rethinking of memory and the moving image for the digital age, Isabelle McNeill investigates the role of the moving image in cultural memory, considering the impact of digital technologies on visual culture. Drawing on an interdisciplinary range of theoretical resources and an unusual body of films and moving image works, the author examines the ways in which recent French filmmaking conceptualises both the past and the workings of memory. Ultimately the author argues that memory is an intersubjective process, in which filmic forms continue to play a crucial role even as new media come to dominate our contemporary experience.Memory and the Moving Image:*Introduces new ways of thinking about the relation between film and memory, arising from a compelling, interdisciplinary study of theories and films*Subtly explores the French context while drawing theoretical conclusions with wider implications and applicability*Provides detailed and illuminating close readings of varied moving image works to aid theoretical explorations*Moves away from auteurist approaches, examining work by canonical directors including Jean-Luc Godard, Chris Marker and Agnès Varda alongside that of less well-known filmmakers such as Claire Simon and Yamina Benguigui*Brings together thinkers such as Bergson, Deleuze, Bazin and Barthes with, for example, Rodowick and Mulvey, in an engaging interweaving of theories.Works considered include Jean-Luc Godard's Histoire(s) du Cinéma (1989-98), Yamina Benguigui's Mémoires d'Immigrés (1997), Chris Marker's CD-ROM Immemory (1998), Claire Simon's Mimi (2003), Michael Haneke's Caché (2005) and Agnès Varda's multi-media exhibition, L'Île et Elle (2006). N° de réf. du vendeur LU-9780748649426
Quantité disponible : 1 disponible(s)
Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Etat : new. N° de réf. du vendeur aa2769fb24a9d7ce10991aa8a0de0cbc
Quantité disponible : 10 disponible(s)
Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. pp. 192. N° de réf. du vendeur 44818212
Quantité disponible : 3 disponible(s)
Vendeur : Chiron Media, Wallingford, Royaume-Uni
Paperback. Etat : New. N° de réf. du vendeur 6666-MAC-9780748649426
Quantité disponible : 1 disponible(s)
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2012. Reprint. Paperback. This text investigates the role of the moving image in cultural memory, taking into account the impact of digital technologies on visual culture. Num Pages: 181 pages, Illustrations. BIC Classification: APFA. Category: (G) General (US: Trade). Dimension: 233 x 159 x 10. Weight in Grams: 300. French Film in the Digital Era. 181 pages, Illustrations. Cateogry: (G) General (US: Trade). BIC Classification: APFA. Dimension: 233 x 159 x 10. Weight: 300. . . . . . N° de réf. du vendeur V9780748649426
Quantité disponible : 10 disponible(s)
Vendeur : Books Puddle, Woodside, NY, Etats-Unis
Etat : New. pp. 192 1st Edition. N° de réf. du vendeur 2647997179
Quantité disponible : 3 disponible(s)
Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
Etat : New. pp. 192. N° de réf. du vendeur 1847997169
Quantité disponible : 3 disponible(s)