Presents a critical analysis of the films and career of George Cukor. Though many of his films are celebrated as classics, Cukor has yet to receive his proper due from academic critics. The film maker's interest in the various forms of indoor cinema lacked the generic focus of Ford's westerns and Hitchcock's thrillers, which were championed by the Cahiers critics in the 1950s. His style was theatricality writ large, a successful transference to the screen of what he had learned from his stage career, including the outsized, often flamboyant handling of emotionality. Ultimately, Cukor was much more than a man of the theatre who happened to spend most of his career making films. With ten original essays by leading film scholars, this volume celebrates Cukor's filmmaking career and supplies a hitherto missing chapter in the history of classic Hollywood. One of the first scholarly books to critical evaluate the work of George Cukor; Covers his work in theatre and his early films as well as his later work and emphasis on Cukor and performance.
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Murray Pomerance is Canadian film scholar, author, and professor teaching in the Department of Sociology at Ryerson University. R. Barton Palmer is Calhoun Lemon Professor of Literature at Clemson University, where he directs the film studies program.
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Hardcover. Etat : new. Hardcover. George Cukor is one of the studio era's most famous and admired directors, with many of the American cinema's most beloved classics to his credit, including The Women, Gaslight, Adam's Rib, A Star is Born, and My Fair Lady to his credit. Not himself a scriptwriter, he was particularly adept at choosing which properties to adapt and then managing the adaptation process with verve and effectiveness. What makes for a good adapter, for a talented master of ceremonies who knows where to put everything and everybody (including the camera)? Who knows how to make a property his own even while enhancing the value it has as belonging to someone else? The essays in this volume provide a series of complementary answers to those questions. Though many of his films are celebrated, Cukor has hitherto not received appropriate critical attention. Cukor's interest in the various forms of indoor cinema lacked the generic focus of Ford's westerns and Hitchcock's thrillers. His style was theatricality writ large, a successful transference to the screen of what he had learned from his successful Broadway career, including the outsized, often flamboyant handling of emotionality. Yet Cukor was also a man of the cinema, fascinated by the ever-developing potentials of his adopted medium, as shown by the more than fifty films he directed in a career that endured from the early sound era into the 1970s. The various essays in this volume, all written by prominent experts in the field, offer critical discussions of every feature film Cukor directed and include a rich trove of valuable information about their production histories. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780748693566
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Etat : New. Presents a critical analysis of the films and career of George Cukor. This title covers his work in theatre and his early films as well as his later work and emphasis on Cukor and performance. It features essays by leading film scholars. Editor(s): Pomerance, Murray; Palmer, R. Barton. Num Pages: 224 pages, 35 b&w illustrations. BIC Classification: APFB. Category: (UU) Undergraduate. Dimension: 164 x 242 x 18. Weight in Grams: 480. . 2015. 1st Edition. Hardcover. . . . . N° de réf. du vendeur V9780748693566
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Hardback. Etat : New. George Cukor is one of the studio era's most famous and admired directors, with many of the American cinema's most beloved classics to his credit, including The Women, Gaslight, Adam's Rib, A Star is Born, and My Fair Lady to his credit. Not himself a scriptwriter, he was particularly adept at choosing which properties to adapt and then managing the adaptation process with verve and effectiveness. What makes for a good adapter, for a talented master of ceremonies who knows where to put everything and everybody (including the camera)? Who knows how to make a property his own even while enhancing the value it has as belonging to someone else? The essays in this volume provide a series of complementary answers to those questions. Though many of his films are celebrated, Cukor has hitherto not received appropriate critical attention. Cukor's interest in the various forms of indoor cinema lacked the generic focus of Ford's westerns and Hitchcock's thrillers. His style was theatricality writ large, a successful transference to the screen of what he had learned from his successful Broadway career, including the outsized, often flamboyant handling of emotionality. Yet Cukor was also a man of the cinema, fascinated by the ever-developing potentials of his adopted medium, as shown by the more than fifty films he directed in a career that endured from the early sound era into the 1970s. N° de réf. du vendeur LU-9780748693566
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