Omnibus Films: Theorizing Transauthorial Cinema - Couverture souple

Diffrient, David Scott

 
9780748695669: Omnibus Films: Theorizing Transauthorial Cinema

Synopsis

Omnibus films bring together the contributions of two or more filmmakers. Does this make them inherently contradictory texts? How do they challenge critical categories in cinema studies? What are their implications for auteur theory? As, David Scott Diffrient's Omnibus Films: Theorizing Transauthorial Cinema fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narrative, and transnational production and reception. Delving into such unique yet representative case studies as If I Had a Million (1932), Forever and a Day (1943), Dead of Night (1945), Quartet (1948), Love and the City (1953), Boccaccio '70, (1962), New York Stories (1989), Tickets (2005), Visions of Europe (2005), and Paris, je t'aime (2006), this book covers much conceptual ground and crosses narrative as well as national borders in much the same way that omnibus films do. Omnibus Films is a particularly thought-provoking book for those working in the fields of auteur theory, film genre and transnational cinema, and is suitable for advanced students in Cinema Studies.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de l?auteur

David Scott Diffrient is William E. Morgan Endowed Chair of Liberal Arts and Associate Professor of Film and Media Studies in the Department of Communication Studies at Colorado State University.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Autres éditions populaires du même titre

9780748695652: Omnibus Films: Theorizing Transauthorial Cinema

Edition présentée

ISBN 10 :  0748695656 ISBN 13 :  9780748695652
Editeur : Edinburgh University Press, 2014
Couverture rigide