Henry James famously dismissed the works which constitute Anthony Trollope's ultimate compositions for their 'fatal dryness of texture' and 'mechanical movement'. Taking its cue from James's observations while challenging his assessment, this study examines the full stylistic range of the novels and biographies which Trollope wrote upon his return from Australia in 1872. It charts the many literary forms which Trollope explored in his final decade, from allegory, satire, and parody, through poignancy, the classics, and paraphrasis, to character, bathos, and fantasy. Blending literary criticism with intellectual history and Frankfurt School theory, Frederik Van Dam shows how Trollope's creation of this new, impersonal aesthetic was driven by a desire to intervene in contemporary debates on topics such suburban sociability and marginalist economics, colonialism and national sovereignty, educational and jurisprudential reforms. Anthony Trollope's Late Style thus argues that if we want to understand the development of Trollope's political views, we must pay close attention to the literary language in which these views were performed. The image of Trollope emerging from this analysis is that of a stylistic visionary and a political radical.
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Frederik Van Dam is a postdoctoral research fellow at the University of Leuven, Belgium. He has published in the fields of Victorian literature and intellectual history, and is one of the principal organizers of the 2015 Trollope Bicentennial Conference. His work has been supported by fellowships and travel grants funded by the Research Council Flanders (FWO) and the Special Research Fund KU Leuven (BOF). He has also received awards from the Belgian Association of Anglicists in Higher Education and the British Association for Victorian Studies. He has published in the Journal of Victorian Culture (2014) and Victoriographies (2011). This is his first book.
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Hardcover. Etat : new. Hardcover. This study focuses on Anthony Trollope's stylistic innovations in relation to Victorian liberalismIn his biography of William Makepeace Thackeray, Anthony Trollope posits the ideal of a man without style: 'I hold that gentleman to be the best dressed whose dress no one observes. I am not sure but that the same may be said of an author's written language'. Trollope's own appearance, unlike his written language, did not pass without observation, however. A contemporary poet recollects that he was 'hirsute and taurine of aspect'. This study unravels this paradox. It disentangles the many threads in Trollope's ostensibly transparent writing and reassembles the political and intellectual fabric that they weave, thus showing how Trollope's language exceeds and questions the concepts provided by contemporary ideologies.Key Features:Shows how Trollope's stylistic peculiarities perform his inflection of Victorian liberalismReads Victorian literature through the lens of German (post-)Romantic thinkers such as Goethe and Walter BenjaminPresents a panorama of Victorian liberalism in its literary, intellectual, and political contextExamines the writings from the last decade of Trollope's life that have received only scant critical attention, such as his novellas and his biographies Examines the full stylistic range of the novels and biographies which Trollope explored in his final decade Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780748699551
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