Critical writing about music and music history in nineteenth-century Britain was permeated with metaphor and analogy. Music and Metaphor examines how over-arching theories of music history were affected by reference to various figurative linguistic templates adopted from other disciplines such as art, religion, politics and science.
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Bennett Zon is Senior Lecturer in Music at the The School of Music, Durham University. He is the author of The English Plainchant Revival (OUP, 1998) and editor of Nineteenth-Century British Music Studies (Ashgate, 1999).
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