The relation between procreation and authorship, between reproduction and publication, has a long history - indeed, that relationship may well be the very foundation of history itself. The essays in this volume bring into focus a remarkably important and complex phase of this long history. In this volume, some of the most renowned scholars in the field persuasively demonstrate that during the early modern period, the awkward, incomplete transition from manuscript to print brought on by the invention of the printing press temporarily exposed and disturbed the epistemic foundations of English culture. As a result of this cultural upheaval, the discursive field of parenting was profoundly transformed. Through an examination of the literature of the period, this volume illuminates how many important conceptual systems related to gender, sexuality, human reproduction, legitimacy, maternity, kinship, paternity, dynasty, inheritance, and patriarchal authority came to be grounded in a range of anxieties and concerns directly linked to an emergent publishing industry and book trade. In exploring a wide spectrum of historical and cultural artifacts produced during the convergence of human and mechanical reproduction, of parenting and printing, these essays necessarily bring together two of the most vital critical paradigms available to scholars today: gender studies and the history of the book. Not only does this rare interdisciplinary coupling generate fresh and exciting insights into the literary and cultural production of the early modern period but it also greatly enriches the two critical paradigms themselves.
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Douglas A. Brooks is Associate Professor of English at Texas A&M University and the General Editor of Shakespeare Yearbook. He is the author of From Playhouse to Printing House: Drama and Authorship in Early Modern England (Cambridge University Press, 2000).
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hardcover. Etat : Very Good. Hardcover with dust jacket. Bound in black cloth over boards with silver lettering along the spine. DJ is housed in a mylar cover which has Folger Shakespeare Library sticker on the spine and back. Covers are otherwise neat and clean. Corners are square. Binding is tight and secure. Title page has "Discard" written in black marker and Folger Shakespeare Library released stamp and handwritten date in black ink. Pages are otherwise crisp, clean, and bright. Images are printed in B&W. 436 pages. Ashgate Publishing Limited. Copyright page dated 2005. A very good copy. We ship everyday from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it's properly described. Please contact us with questions or if you would like to see photographs. N° de réf. du vendeur F-15093
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Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Douglas A. Brooks is Associate Professor of English at Texas A&M University and the General Editor of Shakespeare Yearbook. He is the author of From Playhouse to Printing House: Drama and Authorship in Early Modern England (Cambridge University Press. N° de réf. du vendeur 594951597
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