Although mastery of the representation of the human figure was central to art making as early as the fifteenth century in Europe, in the nineteenth-century French imagination the artist's model became identified as a distinct social type and cultural trope. This study of the artist's model in Paris between 1830 and 1870 incorporates three histories: a social history of professional models, a cultural history of models as social types, and an art history of representations of the model in elite and popular visual culture. It takes as its starting point the artist-model transaction: demonstrating that stereotypes of 'the model' that figured in the public imagination were framed both by gender and ethnicity, the book develops a nuanced typology of different types of models. Interwoven with the analysis of the constructed identities of models are accounts of the lives of particular models and the histories of the urban population groups from which they emerged. The Invention of the Model: Artists and Models in Paris, 1830-1870 is an adept exploration of a major issue in nineteenth-century art which will be of interest not only to art historians, but also to social and French cultural historians.
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Susan Waller is Assistant Professor in the Department of Art and Art History at the University of Missouri-Saint Louis, USA
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Etat : New. Susan Waller is Assistant Professor in the Department of Art and Art History at the University of Missouri-Saint Louis, USAAlthough mastery of the representation of the human figure was central to art making as early as the fifteenth century in E. N° de réf. du vendeur 594952684
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Buch. Etat : Neu. Neuware - Although mastery of the representation of the human figure was central to art making as early as the fifteenth century in Europe, in the nineteenth-century French imagination the artist's model became identified as a distinct social type and cultural trope. This study of the artist's model in Paris between 1830 and 1870 incorporates three histories: a social history of professional models, a cultural history of models as social types, and an art history of representations of the model in elite and popular visual culture. It takes as its starting point the artist-model transaction: demonstrating that stereotypes of 'the model' that figured in the public imagination were framed both by gender and ethnicity, the book develops a nuanced typology of different types of models. Interwoven with the analysis of the constructed identities of models are accounts of the lives of particular models and the histories of the urban population groups from which they emerged. The Invention of the Model: Artists and Models in Paris, 1830-1870 is an adept exploration of a major issue in nineteenth-century art which will be of interest not only to art historians, but also to social and French cultural historians. N° de réf. du vendeur 9780754634843
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Etat : New. Presents a study of the artist's model in Paris between 1830 and 1870. An exploration of a major issue in nineteenth-century art, this book features accounts of the lives of particular models and the histories of the urban population groups from which they emerged. It is useful for art historians, also for social and French cultural historians. Num Pages: 186 pages, Includes 55 b&w illustrations. BIC Classification: 1DDF; ACV; AGH; JFSJ1. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 252 x 180 x 17. Weight in Grams: 630. . 2006. 1st Edition. hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780754634843
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