The collection of essays presented here offers a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. Music was not merely a pastime but was irrevocably linked with its social, political and literary contexts. The perspectives of performers, organisers, patrons, audiences, publishers, copyists and consumers are considered here in relation to the concert experience. All of the essays taken together construct an understanding of musical communities and the origins of the modern concert system. This is achieved by focusing on the development of music societies; the promotion of musical events; the mobility and advancement of musicians; systems of patronage; the social status of musicians; the repertoire performed and published; the role of women pianists and the 'topography' of concerts. In this way, the book not only appeals to music specialists, but also to social and cultural historians.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Susan Wollenberg is Professor of Music at the University of Oxford, UK and Simon McVeigh is a Professor at Goldsmiths College, University of London, UK.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : New. This collection of essays presents a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. The perspectives of performers, organisers, patron, audiences, publishers, copyists and consumers are all included. Editor(s): Wollenberg, Susan; McVeigh, Simon. Num Pages: 320 pages, Includes 21 b&w illustrations and 5 music examples. BIC Classification: 1DB; 3JF; AV; HBJD1; HBLL. Category: (G) General (US: Trade). Dimension: 236 x 164 x 23. Weight in Grams: 626. . 2004. 1st Edition. hardcover. . . . . N° de réf. du vendeur V9780754638681
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