Borrowing its title from Madeline Harrison Caviness's influential work on the modes of seeing articulated by the twelfth-century cleric Richard of Saint Victor, this interdisciplinary collection brings together the work of thirty scholars from England, France, Germany, Italy, Switzerland, and the United States. Each author has contributed an original article that engages with ideas formulated in Caviness's wide-ranging scholarship. The historiographic introduction discusses themes in Caviness's publications and their importance for art historical and medieval studies today. The book's thematic matrix groups together essays concerned with: The Material Object, Documentary Reconstruction, Post-Disciplinary Approaches, Multiple Readings, Gender and Reception, Performativity, Text and Image, Collecting and Consumption, and Politics and Ideology. The contributors include curators, art historians, historians, and literary scholars. Their subjects range from medieval stained glass to the nineteenth-century Gothic Revival, the Sachsenspiegel, and Mel Gibson's The Passion of the Christ. Many foreground issues of gender, reception, and textuality, which have permeated Caviness's scholarship. Some also present approaches to sites that have been the subject of important studies by Caviness, including Canterbury, Chartres, Reims, Saint-Denis, Sens, and Troyes. The volume offers a broad range of methodological approaches to key topics in the study of medieval imagery and thus highlights the vitality of the field today.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Evelyn Staudinger Lane is Associate Professor of Art History in the Department of Art and Art History, Wheaton College, Norton, MA, USA.
Elizabeth Carson Pastan, Associate Professor of Art History, Department of Art History, Emory University, Atlanta, GA, USA.
Ellen M. Shortell is Professor of Art History and Chair of the Department of Critical Studies, Massachusetts College of Art and Design, Boston, MA, USA.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : art longwood books, Gloucester, MA, Etats-Unis
Hard Cover. Etat : Near Fine Plus. Etat de la jaquette : Near Fine Plus. First Edition. cloth, hard cover in dust jacket., front and back interior hinges show a line under the pastedown where the glue is. it is minor as a flaw and portends no issues with the use or enjoyment of the book. clean. no writing or markings. no tears, bumps, clips. tight binding. a like new copy.; english text.xxi-588pp., 144 b/w illustrations. 30 essays and articles by various contributors which were written for this festschrift. Size: Large 8vo. N° de réf. du vendeur 21909
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Hardcover. black boards. book xi, 588 pgs w/ bw illustrations. green, illustrated dustjacket w/ yellow printing; protective plastic. From a college library. Due date slip has one removal entry. A nice copy. "Each author has contributed an orginal article that engages with ideas formulated in Caviness's publications and their importance for art historical and medieval studies today."--Publisher. VG- (ex-library w/ stamps to textblock edges, usual markings, ect. bright pgs; appears unmarked. dustjacket taped to cover edges, ID sticker to lower spine; plastic scuffed & scratched). N° de réf. du vendeur 184293
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Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Evelyn Staudinger Lane is Associate Professor of Art History in the Department of Art and Art History, Wheaton College, Norton, MA, USA. Elizabeth Carson Pastan, Associate Professor of Art History, Department of Art History, Emory University, Atla. N° de réf. du vendeur 594954292
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