Michelangelo in Print is a readable narrative that pays special attention to the ways reproductive prints served the artist, printmakers, publishers, and audiences. Focusing on printed reproductions made during the sixteenth century, this study identifies prints as indicators of how Michelangelo's works became known, discussed, and integrated into art history. The volume includes a comprehensive checklist organized by the work reproduced
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Bernadine Barnes is Professor of Art History at Wake Forest University, USA.
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. pp. 244 71 Illus. N° de réf. du vendeur 8055176
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Vendeur : Luigi De Bei, PREGANZIOL, TV, Italie
Couverture rigide. Etat : Neuf. Etat de la jaquette : Neuf. Edition originale. documento Testo a stampa Autore Barnes, Bernadine Titolo Michelangelo in print : reproductions as response in the sixteenth century / Bernadine Barnes Pubblicazione Farnham ; Burlington : Ashgate, 2010 Descrizione fisica XVI, 226 p. : ill. ; 24 cm Numeri ISBN - 9780754663782 Nomi Barnes, Bernadine Paese di pubblicazione GRAN BRETAGNA Lingua di pubblicazione INGLESE In seeing printed reproductions as a form of response to Michelangelo's work, Bernadine Barnes focuses on the choices that printmakers and publishers made as they selected which works would be reproduced and how they would be presented to various audiences. Six essays set the reproductions in historical context, and consider the challenges presented by works in various media and with varying degrees of accessibility, while a seventh considers how published verbal descriptions competed with visual reproductions. Rather than concentrating on the intentions of the artist, Barnes treats the prints as important indicators of the use of, and public reaction to, Michelangelo's works. Emphasizing reception and the construction of history, her approach adds to the growing body of scholarship on print culture in the Renaissance. The volume includes a comprehensive checklist organized by the work reproduced. Contents: Introduction; Michelangelo in fragments: prints after The Battle of Cascina and other works; The slow unveiling of the Sistine Chapel ceiling; From private to public: the presentation drawings in print; Private spaces made public: prints of The Last Judgment and the Pauline Chapel frescoes; Michelangelo among the ancients: prints of his Roman architecture; From sculpture to print; On seeing and describing; Conclusion; Checklist; Bibliography; Index About the Author: Bernadine Barnes is Professor of Art History at Wake Forest University, USA. Imprint: Ashgate Illustrations: Includes 71 b&w illustrations Published: January 2010 Format: 234 x 156 mm Extent: 244 pages Binding: Hardback ISBN: 978-0-7546-6378-2. N° de réf. du vendeur 005325
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Vendeur : moluna, Greven, Allemagne
Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Bernadine Barnes is Professor of Art History at Wake Forest University, USA.In seeing printed reproductions as a form of response to Michelangelo s work, Bernadine Barnes focuses on the choices that printmakers and publishers made as they selected w. N° de réf. du vendeur 594954614
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Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
Etat : New. PRINT ON DEMAND pp. 244. N° de réf. du vendeur 18874077
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Vendeur : Books Puddle, New York, NY, Etats-Unis
Etat : New. pp. 244. N° de réf. du vendeur 26874071
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