The fascination with monotype and monoprint never diminishes, thanks to the primal thrill of making a mark, combined with suspense and surprise as paper is lifted from a press. Recent prints from more than 70 top artists across the US demonstrate what monotypes and monoprints offer to artists and the broader world of art, while Kernan, a professional printmaker, provides a view from the studio. She explains the processes and motivations for making singular prints, as well as current practice and context. Examples include unique prints and variations that cross boundaries with combinations of collage, collagraph, direct and transfer drawing, painting, photosensitive plates, digital printing, and paper casting with stencils. With their backgrounds in curating, collecting, and art history, Laura G. Einstein draws us into the history and traditions of the forms, and Janice Oresman writes as a collector about the fascination of monotype as a magically spontaneous process.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Catherine Kernan is a professional studio artist and educator. A partner in Mixit Print Studio, an open-access studio founded in 1987 in Somerville, Massachusetts, she exhibits regularly in galleries across the country. See https: //catherinekernan.com.
E. Ashley Rooney has authored over 70 books for Schiffer Publishing. She specializes in contemporary art, design, and architecture and draws upon her expertise in gardening for Magical Fairy Homes and Gardens. She lives in Massachusetts.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. The fascination with monotype and monoprint never diminishes, thanks to the primal thrill of making a mark, combined with suspense and surprise as paper is lifted from a press. Recent prints from more than 70 top artists across the US demonstrate what monotypes and monoprints offer to artists and the broader world of art, while Kernan, a professional printmaker, provides a view from the studio. She explains the processes and motivations for making singular prints, as well as current practice and context. Examples include unique prints and variations that cross boundaries with combinations of collage, collagraph, direct and transfer drawing, painting, photo-sensitive plates, digital printing, and paper casting with stencils. With their backgrounds in curating, collecting, and art history, Einstein draws us into the history and traditions of the forms, and Oresman writes as a collector about the fascination of monotype as a magically spontaneous process. AUTHOR: Catherine Kernan is a professional studio artist and educator. A partner in Mixit Print Studio, an open-access studio founded in 1987 in Somerville, Massachusetts, she exhibits regularly in galleries across the country. SELLING POINTS: . For printmakers, teachers, collectors, dealers, and curators, an indepth look at today's "state of the art" . Learn the issues and intricacies of contemporary one-of-a-kind printmaking, including examples from more than 70 artists . Single transfers and "variant editions," AKA monotypes and monoprints, are part of a long tradition 365 colour images 70 top artists across the US demonstrate what monotypes and monoprints offer to artists and the broader world of art! Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780764357275
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Hardcover. Etat : new. Hardcover. The fascination with monotype and monoprint never diminishes, thanks to the primal thrill of making a mark, combined with suspense and surprise as paper is lifted from a press. Recent prints from more than 70 top artists across the US demonstrate what monotypes and monoprints offer to artists and the broader world of art, while Kernan, a professional printmaker, provides a view from the studio. She explains the processes and motivations for making singular prints, as well as current practice and context. Examples include unique prints and variations that cross boundaries with combinations of collage, collagraph, direct and transfer drawing, painting, photo-sensitive plates, digital printing, and paper casting with stencils. With their backgrounds in curating, collecting, and art history, Einstein draws us into the history and traditions of the forms, and Oresman writes as a collector about the fascination of monotype as a magically spontaneous process. AUTHOR: Catherine Kernan is a professional studio artist and educator. A partner in Mixit Print Studio, an open-access studio founded in 1987 in Somerville, Massachusetts, she exhibits regularly in galleries across the country. SELLING POINTS: . For printmakers, teachers, collectors, dealers, and curators, an indepth look at today's "state of the art" . Learn the issues and intricacies of contemporary one-of-a-kind printmaking, including examples from more than 70 artists . Single transfers and "variant editions," AKA monotypes and monoprints, are part of a long tradition 365 colour images 70 top artists across the US demonstrate what monotypes and monoprints offer to artists and the broader world of art! Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780764357275
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Hardcover. Etat : new. Hardcover. The fascination with monotype and monoprint never diminishes, thanks to the primal thrill of making a mark, combined with suspense and surprise as paper is lifted from a press. Recent prints from more than 70 top artists across the US demonstrate what monotypes and monoprints offer to artists and the broader world of art, while Kernan, a professional printmaker, provides a view from the studio. She explains the processes and motivations for making singular prints, as well as current practice and context. Examples include unique prints and variations that cross boundaries with combinations of collage, collagraph, direct and transfer drawing, painting, photo-sensitive plates, digital printing, and paper casting with stencils. With their backgrounds in curating, collecting, and art history, Einstein draws us into the history and traditions of the forms, and Oresman writes as a collector about the fascination of monotype as a magically spontaneous process. AUTHOR: Catherine Kernan is a professional studio artist and educator. A partner in Mixit Print Studio, an open-access studio founded in 1987 in Somerville, Massachusetts, she exhibits regularly in galleries across the country. SELLING POINTS: . For printmakers, teachers, collectors, dealers, and curators, an indepth look at today's "state of the art" . Learn the issues and intricacies of contemporary one-of-a-kind printmaking, including examples from more than 70 artists . Single transfers and "variant editions," AKA monotypes and monoprints, are part of a long tradition 365 colour images 70 top artists across the US demonstrate what monotypes and monoprints offer to artists and the broader world of art! Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9780764357275
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