This movement radically revised the interpretation of the Bible as an "inspired" book and also helped to redefine the inspiration attributed to poets, since many poets of the period, including Coleridge himself, wished to emulate the prophetic voice of biblical tradition. Coleridge's mastery of this new study and his search for a new understanding of the Bible on which to ground his faith are the focus of this book. Beginning with an exposition of Coleridge's double role as theologian and poet, Anthony Harding analyses the development and transmission of Coleridge's views of inspiration - both biblical and poetic - and provides a history of his theological and poetic ideas in their second generation, in England especially in the work of F.D. Maurice and John Sterling, and in America in that of Ralph Waldo Emerson. Harding argues that Coleridge's emphasis on the human integrity of the scriptural authors provided his contemporaries with a poetics of inspiration that seemed likely to restore to literature a "biblical" sense of the divine as a presence in the world. Coleridge's treatment of biblical inspiration is thus an important contribution to Romantic poetics as well as to biblical scholarship. His concept of inspiration is also linked directly to his literary theory and thus to the current debate over the reader's relation to text and author.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Anthony John Harding is professor of English, University of Saskatchewan. He is the author of Coleridge and the Idea of Love, and The Reception of Myth in English Romanticism, and co-editor of The Notebooks of Samuel Taylor Coleridge, volume 5: 1827-1834, and Milton, the Metaphysicals, and Romanticism.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : -OnTimeBooks-, Phoenix, AZ, Etats-Unis
Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. N° de réf. du vendeur OTV.0773510087.G
Quantité disponible : 1 disponible(s)
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. 0th Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur GRP82065485
Quantité disponible : 1 disponible(s)
Vendeur : White Square - Fine Books & Art, Easthampton, MA, Etats-Unis
Hardcover. Etat : like new. Montreal: McGill-Queen's University Press, 1985. Like new hardcover; no dust jacket, as issued. No internal markings and NOT ex-library. Book. N° de réf. du vendeur PW-VK2P-QZCX
Quantité disponible : 1 disponible(s)
Vendeur : J. Wyatt Books, Ottawa, ON, Canada
Hardcover. Etat : VG+. 187 pages in excellent condition. Clean black endpapers. Grey hardcovers with black titles. Light wear on corners and edges. VG+. Book. N° de réf. du vendeur 211835
Quantité disponible : 1 disponible(s)
Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. 014415; COLERIDGE SAMUEL TAYLOR 1772 1834. N° de réf. du vendeur 14415
Quantité disponible : 1 disponible(s)