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The Red and the Green - Couverture rigide

 
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Synopsis

An Irish family becomes involved in events leading up to the Easter Rebellion.

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Biographie de l'auteur

Iris Murdoch was born in Dublin in 1919. She read Classics at Somerville College, Oxford, and after working in the Treasury and abroad, was awarded a research studentship in philosophy at Newnham College, Cambridge. In 1948 she returned to Oxford as fellow and tutor at St Anne’s College and later taught at the Royal College of Art. Until her death in 1999, she lived in Oxford with her husband, the academic and critic, John Bayley. She was made a Dame of the British Empire in 1987 and in the 1997 PEN Awards received the Gold Pen for Distinguished Service to Literature.

Iris Murdoch made her writing debut in 1954 with Under the Net. Her twenty-six novels include the Booker prize-winning The Sea, The Sea (1978), the James Tait Black Memorial prize-winning The Black Prince (1973) and the Whitbread prize-winning The Sacred and Profane Love Machine (1974). Her philosophy includes Sartre: Romantic Rationalist (1953) and Metaphysics as a Guide to Morals (1992); other philosophical writings, including The Sovereignty of Good (1970), are collected in Existentialists and Mystics (1997).

Présentation de l'éditeur

The scene is Ireland. The time, 1916, is the eve of the famous tragic Easter Rebellion in Dublin, which startled Europe even in the midst of the First World War.

A single Anglo-Irish family provides the extremely diverse characters. Pat Dumay is a Catholic and an Irish patriot. His relentlessly pious mother pursues her own private war with his step-father, a man sunk in religious speculation and drink. Pat's English-bred Protestant cousin and rival, Andrew Chase-White, an officer in King Edward's Horse, puzzles out his complex emotions about Ireland and Frances, the girl he loves, against a background of the fear of death, while Frances's father, Christopher Bellman, scholar and cynic, finds love of Ireland a more passionate matter than he had bargained for. Weaving these people together into a tragi-comic pattern moves Millie Kinnard: fast, feminist, and only just respectable.

As rebellion looms nearer, tension mounts in the sombre rain-soaked Dublin streets; and if, in the end, death disperses most of the people, this is felt to be as inevitable as in a Sophoclean play.

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