Classical Guitarists fills a void in the special world of the classical guitar. Although this realm is inhabited by world-class musicians, much of what they think and feel has never been captured in print. The interviewees, including Julian Bream, John Williams, Sharon Isbin, Eliot Fisk, David Starobin and David Tanenbaum are a select group at the peak of their prowess who speak openly and thoughtfully about their opportunities, accomplishments, and lessons learned. Each has made important contributions from establishing significant academic programs to broadening the audience for the classical guitar. The author shares his reviews of their most important recordings and New York City concerts during the 1990s, as well as discographies of their recordings. There are also interviews with Harold Shaw, the most prominent artist manager in the history of the classical guitar and several of today's most important composers for the guitar, including Pulitzer Prize winners George Crumb and Aaron Jay Kernis. An introductory chapter provides an historical perspective on classical guitar and a postscript explains how to create a basic repertoire of recordings.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jim Tosone is a contributing editor and staff reviewer for Guitar Review magazine, where his articles and reviews have appeared regularly since 1991. He has also written for Soundboard magazine and authored the classical guitar entries for the three-volume Music in the Twentieth Century. His transcription for guitar of J.S. Bach's Suite No. 1 for Solo Cello was premiered at the 1991 Toronto Guitarfest. Tosone has played classical guitar for over 15 years. He studied privately with Dr. Nicholas Goluses, who at the time was chairman of the Guitar Department at the Manhattan School of Music. He has also performed in master classes for internationally renowned guitarists Hubert Kappel, Raphaella Smits and David Tanenbaum.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Classical Guitarists fills a void in the special world of the classical guitar. Although this realm is inhabited by world-class musicians, much of what they think and feel has never been captured in print. The interviewees, including Julian Bream, John Williams, Sharon Isbin, Eliot Fisk, David Starobin and David Tanenbaum are a select group at the peak of their prowess who speak openly and thoughtfully about their opportunities, accomplishments, and lessons learned. Each has made important contributions from establishing significant academic programs to broadening the audience for the classical guitar. The author shares his reviews of their most important recordings and New York City concerts during the 1990s, as well as discographies of their recordings. There are also interviews with Harold Shaw, the most prominent artist manager in the history of the classical guitar and several of today's most important composers for the guitar, including Pulitzer Prize winners George Crumb and Aaron Jay Kernis. An introductory chapter provides an historical perspective on classical guitar and a postscript explains how to create a basic repertoire of recordings. N° de réf. du vendeur LU-9780786408139
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Soft cover. Etat : Near Fine. 2000 Book: Near Fine/, (illustrateur). Book: Near Fine/, $27.82 0786408138 CLASSICAL GUITARISTS: CONVERSATIONS * TOSONE, Jim McFarland Various Locations * * * * * 2000 UnStated Edition S/c Darker Blue Colored Spine, With Title In Lighter Blue And 0ff~White Letters, Soft Cover Book: Near Fine/, Slight Shelf, Edge And Corner Wear. 191 Numbered Pages, Printed On 0ff~White Colored Paper, In Fine/ Condition, Lightly Read, Clean And Tight To The Spine. Spine Is Tight, Corners Are Square And Near Square. D/j: None. This Is * * An Original Edition, * * Not A Secondary Market Or More Modern RePrint. This Item Will Be Sent Wrapped In Plastic, Taped Shut And In A = * * ~ ~ Padded Mailing Envelope * * * To Prevent Shipping Damage So That It Will Arrive In The * * Description Described Which Applies To This B00K, Only. * = No Odors, No Writing, No Other Names, No Rippling, Not Stuck Together, Not X~Library, No Other Marks. = Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE. N° de réf. du vendeur 021824
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Paperback. Etat : new. Paperback. Classical Guitarists fills a void in the special world of the classical guitar. Although this realm is inhabited by world-class musicians, much of what they think and feel has never been captured in print. The interviewees, including Julian Bream, John Williams, Sharon Isbin, Eliot Fisk, David Starobin and David Tanenbaum are a select group at the peak of their prowess who speak openly and thoughtfully about their opportunities, accomplishments, and lessons learned. Each has made important contributions from establishing significant academic programs to broadening the audience for the classical guitar. The author shares his reviews of their most important recordings and New York City concerts during the 1990s, as well as discographies of their recordings. There are also interviews with Harold Shaw, the most prominent artist manager in the history of the classical guitar and several of today's most important composers for the guitar, including Pulitzer Prize winners George Crumb and Aaron Jay Kernis. An introductory chapter provides an historical perspective on classical guitar and a postscript explains how to create a basic repertoire of recordings. The interviewees in this volume, including Julian Bream, John Williams, Sharon Isbin, Eliot Fisk, David Starobin and David Tanenbaum, are a select group at the peak of their prowess who speak openly and thoughtfully about their opportunities, accomplishments, and lessons learned. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780786408139
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