This book explores the connections between comics and Gothic from four different angles: historical, formal, cultural and textual. It identifies structures, styles and themes drawn from literary gothic traditions and discusses their presence in British and American comics today, with particular attention to the DC Vertigo imprint. Part One offers an historical approach to British and American comics and Gothic, Part Two argues for an holistic model based around the symbols of the crypt, the spectre and the archive, and Part Three combines cultural and textual analysis, concluding with case studies of two of the most famous gothic archetypes in comics: the vampire and the zombie.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Julia Round is a senior lecturer in the Media School at Bournemouth University, United Kingdom, and co-edits the academic journal Studies in Comics. She has published and presented work internationally on comics, Gothic, narrative and adaptation. She lives in the United Kingdom.
This book explores the connections between comics and Gothic from four different angles: historical, formal, cultural and textual. It identifies structures, styles and themes drawn from literary gothic traditions and discusses their presence in British and American comics today, with particular attention to the DC Vertigo imprint. Part One offers an historical approach to British and American comics and Gothic, Part Two argues for an holistic model based around the symbols of the crypt, the spectre and the archive, and Part Three combines cultural and textual analysis, concluding with case studies of two of the most famous gothic archetypes in comics: the vampire and the zombie.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. This book explores the connections between comics and Gothic from four different angles: historical, formal, cultural and textual. It identifies structures, styles and themes drawn from literary gothic traditions and discusses their presence in British and American comics today, with particular attention to the DC Vertigo imprint. Part One offers an historical approach to British and American comics and Gothic, summarizing the development of both their creative content and critical models, and discussing censorship, allusion and self-awareness. Part Two brings together some of the gothic narrative strategies of comics and reinterprets critical approaches to the comics medium, arguing for an holistic model based around the symbols of the crypt, the spectre and the archive. Part Three then combines cultural and textual analysis, discussing the communities that have built up around comics and gothic artifacts and concluding with case studies of two of the most famous gothic archetypes in comics: the vampire and the zombie. N° de réf. du vendeur LU-9780786449804
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Paperback. Etat : new. Paperback. This book explores the connections between comics and Gothic from four different angles: historical, formal, cultural and textual. It identifies structures, styles and themes drawn from literary gothic traditions and discusses their presence in British and American comics today, with particular attention to the DC Vertigo imprint. Part One offers an historical approach to British and American comics and Gothic, summarizing the development of both their creative content and critical models, and discussing censorship, allusion and self-awareness. Part Two brings together some of the gothic narrative strategies of comics and reinterprets critical approaches to the comics medium, arguing for an holistic model based around the symbols of the crypt, the spectre and the archive. Part Three then combines cultural and textual analysis, discussing the communities that have built up around comics and gothic artifacts and concluding with case studies of two of the most famous gothic archetypes in comics: the vampire and the zombie. Explores the connections between comics and Gothic from four different critical angles: historical, formal, cultural and textual. It identifies structures, styles and themes drawn from the literary Gothic and discusses the presence of these in British and American comics today, paying particular attention to the emergence of the DC Vertigo imprint. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780786449804
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