This book explores the mechanisms that have driven the evolution of televisual comedy from the classic sitcom, a genre deeply rooted in its theatrical origins, toward a more mature stage of television's history. It analyzes four comic series--Scrubs, The Office, The Comeback, and Ugly Betty--revealing how each separates itself from the traditional sitcom archetype and shows increased awareness of the comic genre. Throughout the author focuses on two cardinal themes: the relationship between comedy and euphoria; and the relationship between comic texts and reality.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Antonio Savorelli holds a Ph.D. in communication and new technologies, and runs a media research and design studio in Imola, Italy.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Bay State Book Company, North Smithfield, RI, Etats-Unis
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. This book explores the mechanisms that have driven the evolution of televisual comedy from the classic sitcom, a genre deeply rooted in its theatrical origins, toward a more mature stage of television's history. It analyzes four comic series--Scrubs, The Office, The Comeback, and Ugly Betty--revealing how each separates itself from the traditional sitcom archetype and shows increased awareness of the comic genre. Throughout the author focuses on two cardinal themes: the relationship between comedy and euphoria; and the relationship between comic texts and reality. N° de réf. du vendeur LU-9780786458431
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Paperback. Etat : new. Paperback. This book explores the mechanisms that have driven the evolution of televisual comedy from the classic sitcom, a genre deeply rooted in its theatrical origins, toward a more mature stage of television's history. It analyzes four comic series--Scrubs, The Office, The Comeback, and Ugly Betty--revealing how each separates itself from the traditional sitcom archetype and shows increased awareness of the comic genre. Throughout the author focuses on two cardinal themes: the relationship between comedy and euphoria; and the relationship between comic texts and reality. Through the lens of structural semiotics, this book explores the textual mechanisms that have driven the evolution of televisual comedy from the classic sitcom, a genre still deeply rooted in its theatrical origins, toward a new genre that is fully integrated into a more mature stage of television's history. It analyzes four comic series—Scrubs, The Office, The Comeback, and Ugly Betty—revealing how each program separates itself from the traditional sitcom archetype and demonstrates an increased self-awareness of the comic genre. Throughout the work, the author focuses on two cardinal themes in the transformation of the American sitcom: the relationship between comedy and euphoria; and the relationship between comic texts and reality. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780786458431
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