Commentators and artists attempting to represent the events of September 11, 2001, struggle to create meaning in the face of such powerful experiences. This collection of essays offers critical insights into the discourses that shape the memory of 9/11 in the narrative genres of comics, literature, film, and theatre. It examines historical, political, cultural, and personal meanings of the disaster and its aftermath through critical discussions of Marvel and New Yorker comics, American and British novels, Hollywood films, and the plays of Anne Nelson.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Veronique Bragard is associate professor in comparative literature at the Universite Catholique de Louvain, Belgium.
Christophe Dony combines teaching and research activities at the Universite de Liege, Belgium, where he is a Ph.D. candidate in English Literatures.
Warren Rosenberg is a professor and chair of English at Wabash College in Crawfordsville, Indiana.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Commentators and artists attempting to represent the events of September 11, 2001, struggle to create meaning in the face of such powerful experiences. This collection of essays offers critical insights into the discourses that shape the memory of 9/11 in the narrative genres of comics, literature, film, and theatre. It examines historical, political, cultural, and personal meanings of the disaster and its aftermath through critical discussions of Marvel and New Yorker comics, American and British novels, Hollywood films, and the plays of Anne Nelson. N° de réf. du vendeur LU-9780786459506
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