This volume spotlights the visual arts, vision, and blindness during the Enlightenment in France, Britain, and Germany. The essays range from exploring the musical and cultural impact of an eighteenth-century virtuoso violinist to analyzing lotteries as romance in eighteenth-century England.
Contributors and Contents:
Mary Sheriff, The King, the Trickster and the Gorgon: On the Illusions of Rococo Art
Beverly Wilcox, The Hissing of Monsieur Pagin
Jessica Richard, Lotteries and the Romance of Chance in Eighteenth-Century England
Emrys D. Jones, 'Friendship like mine / Throws all Respects behind it': Male Companionship and the Cult of Frederick, Prince of Wales
David Hagan, Threading the Needle: Problems in Reading Dennis Diderot's La lettre sur les aveugles
Josephine Touma, From the Playhouse to the Page: Some Visual Sources for Watteau's Theatrical Universe
Daniel O'Quinn, Diversionary Tactics and Coercive Acts: John Burgoyne's Fête Champêtre
Shelley King, Portrait of a Marriage: John and Amelia Opie and the Sister Arts
David Fairer, Where Fuming Trees Refresh the Thirsty Air
Dorothea Von Mucke, Iconic Turn and the Power of Images: Goethe's Elective Affinities
Laure Marcellesi, Louis-Sébastien Mercier: Prophet, Abolitionist, Colonialist
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Downing A. Thomas is a professor of French at the University of Iowa, where he is also associate provost and dean of International Programs. He is the author or coeditor of several books, including Aesthetics of Opera in the Ancien Régime: 1647-1785, Operatic Migrations: Transforming Works and Crossing Boundaries in Musical Drama, and Music and the Origins of Language: Theories from the French Enlightenment. Lisa F. Cody is an associate dean of the faculty and an associate professor of history at Claremont McKenna College. She is the author of Birthing the Nation: Sex, Science, and the Conception of Eighteenth-Century Britons.
Lisa Forman Cody is an associate professor of history at Claremont McKenna College. She is the author of Birthing the Nation: Sex, Science, and the Conception of Eighteenth-Century Britons.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. This volume spotlights the visual arts, vision, and blindness during the Enlightenment in France, Britain, and Germany. The essays range from exploring the musical and cultural impact of an eighteenth-century virtuoso violinist to analyzing lotteries as romance in eighteenth-century England. Contributors and Contents: Mary Sheriff, The King, the Trickster and the Gorgon: On the Illusions of Rococo ArtBeverly Wilcox, The Hissing of Monsieur PaginJessica Richard, Lotteries and the Romance of Chance in Eighteenth-Century EnglandEmrys D.Jones, 'Friendship like mine / Throws all Respects behind it': Male Companionship and the Cult of Frederick, Prince of WalesDavid Hagan, Threading the Needle: Problems in Reading Dennis Diderot's La lettre sur les aveuglesJosephine Touma, From the Playhouse to the Page: Some Visual Sources for Watteau's Theatrical UniverseDaniel O'Quinn, Diversionary Tactics and Coercive Acts: John Burgoyne's Fete ChampetreShelley King, Portrait of a Marriage: John and Amelia Opie and the Sister ArtsDavid Fairer, Where Fuming Trees Refresh the Thirsty AirDorothea Von Mucke, Iconic Turn and the Power of Images: Goethe's Elective AffinitiesLaure Marcellesi, Louis-Sebastien Mercier: Prophet, Abolitionist, Colonialist. N° de réf. du vendeur LU-9780801899089
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Etat : New. Spotlights the visual arts, vision, and blindness during the Enlightenment in France, Britain, and Germany. This volume includes essays that range from exploring the musical and cultural impact of an eighteenth-century virtuoso violinist to analyzing lotteries as romance in eighteenth-century England. Editor(s): Thomas, Professor Downing A.; Cody, Dr. Lisa Forman. Num Pages: 300 pages, 30, 30 black & white illustrations. BIC Classification: 1D; 3JF; AB; DSBD; HBTB; JFC. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 236 x 157 x 22. Weight in Grams: 1604. . 2011. 1st Edition. Hardcover. . . . . N° de réf. du vendeur V9780801899089
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Hardcover. Etat : new. Hardcover. This volume spotlights the visual arts, vision, and blindness during the Enlightenment in France, Britain, and Germany. The essays range from exploring the musical and cultural impact of an eighteenth-century virtuoso violinist to analyzing lotteries as romance in eighteenth-century England. Contributors and Contents: Mary Sheriff, The King, the Trickster and the Gorgon: On the Illusions of Rococo ArtBeverly Wilcox, The Hissing of Monsieur PaginJessica Richard, Lotteries and the Romance of Chance in Eighteenth-Century EnglandEmrys D.Jones, 'Friendship like mine / Throws all Respects behind it': Male Companionship and the Cult of Frederick, Prince of WalesDavid Hagan, Threading the Needle: Problems in Reading Dennis Diderot's La lettre sur les aveuglesJosephine Touma, From the Playhouse to the Page: Some Visual Sources for Watteau's Theatrical UniverseDaniel O'Quinn, Diversionary Tactics and Coercive Acts: John Burgoyne's Fete ChampetreShelley King, Portrait of a Marriage: John and Amelia Opie and the Sister ArtsDavid Fairer, Where Fuming Trees Refresh the Thirsty AirDorothea Von Mucke, Iconic Turn and the Power of Images: Goethe's Elective AffinitiesLaure Marcellesi, Louis-Sebastien Mercier: Prophet, Abolitionist, Colonialist Spotlights the visual arts, vision, and blindness during the Enlightenment in France, Britain, and Germany. This volume includes essays that range from exploring the musical and cultural impact of an eighteenth-century virtuoso violinist to analyzing lotteries as romance in eighteenth-century England. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780801899089
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