Raffaello Borghini's Il Riposo (1584) is the most widely known Florentine document on the subject of the Counter-Reformation content of religious paintings. Despite its reputation as an art-historical text, this is the first English-language translation of Il Riposo to be published. A distillation of the art gossip that was a feature of the Medici Grand Ducal court, Borghini's treatise puts forth simple criteria for judging the quality of a work of art. Published sixteen years after the second edition of Giorgio Vasari's Vite, the text that set the standard for art-historical writing during the period, Il Riposo focuses on important issues that Vasari avoided, ignored, or was oblivious to. Picking up where Vasari left off, Borghini deals with artists who came after Michaelangelo and provides more comprehensive descriptions of artists who Vasari only touched upon such as Tintoretto, Veronese, Barocci, and the artists of Francesco I's Studiolo. This text is also invaluable as a description of the mid-sixteenth century reaction against the style of the 'maniera,' which stressed the representation of self-consciously convoluted figures in complicated works of art. The first art treatise specifically directed toward non-practitioners, Il Riposo gives unique insight into the early stages of art history as a discipline, late Renaissance art and theory, and the Counter-Reformation in Italy.
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Lloyd H. Ellis Jr is an independent scholar living in Solon, Ohio.
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 68547101-6
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Vendeur : A Squared Books (Don Dewhirst), South Lyon, MI, Etats-Unis
hardcover. Etat : As New. Etat de la jaquette : Like New. 2nd Revised edition. Toronto, 2008; blk cloth covered boards; minimal shelf wear; illustrated jcket with minor wear; 8vo, 7 3/4" to 9 3/4" tall; interior is clean and unmarked; 348 pages; From the library of Thomas Willette, University of Michigan professor. N° de réf. du vendeur SKU1179462
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Vendeur : Borkert, Schwarz und Zerfaß GbR, Berlin, Allemagne
Etat : Gut. XIV, 384 Seiten / p. Sehr guter Zustand / very good condition - Raffaello Borghini's II Riposo ( 1584 ) is the most widely known Florentine document on the influence of the Counter-Reformation on religious painting. Through a distillation of the gossip surrounding art and artists that was a feature of the Medici grand ducal court, Borghini puts forth simple criteria for judging the quality of a work of art. This is the first English-language edition of Borghini's classic treatise. -- Published sixteen years after the second edition of Giorgio Vasari's Vite, the text that set the standard for art historical writing during the period, Il Riposo focuses on many important issues that Vasari did not address. Picking up where Vasari left off, Borghini deals with artists who came after Michelangelo and provides more comprehensive descriptions of artists whom Vasari only touched upon, such as Tintoretto, Veronese, Barocci, and the artists of Francesco I's Studiolo. The text is also notable for its description of reactions against the style of the Maniera, with its emphasis on selfconsciously convoluted figures in complicated works of art. -- The first art treatise specifically directed toward non-practitioners, Il Riposo provides unique insight into the early stages of art history as a discipline, late Renaissance art and art theory, and the Counter-Reformation in Italy. ISBN 9780802097439 Sprache: Englisch Gewicht in Gramm: 734 Original Leinen kaschiert mit Schutzumschlag / Cloth laminated with dust jacket. N° de réf. du vendeur 1227834
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